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Rio de Janeiro's bailes funk, or funk dance parties, with their often intensely violent and aggressively sexualized nature, are fundamental expressions of the culture of the city's favelas, or squatter towns, with tremendous significance for enormous crowds of poor, young people who attend them. This article draws on ethnographic research and participant observation, conducted by the author throughout years of living in the favela of Rocinha, and close readings of funk lyrics to explore the utopian impulse at the core of the baile funk experience, especially in community dances sponsored by gangsters held in the streets of favelas. Like some other cultural expressions of African diaspora communities, these bailes conjure up and sustain a morally and politically charged musical space that joins the young people together, emotionally elevating them above the harsh conditions of their lives into a spiritual state that makes available to them the feeling of living in a better world.
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