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Pigments and Mixtures Identification by Visible Reflectance Spectroscopy

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References

2005Pigment Compendium : A Dictionary and Optical Microscopy of Historical Pigments268 cited
2010In Situ Noninvasive Study of Artworks: The MOLAB Multitechnique Approach243 cited
2002Color science in the examination of museum objects: Nondestructive procedures88 cited
2003Non-invasive spectroscopic measurements on the Il ritratto della figliastra by Giovanni Fattori: identification of pigments and colourimetric analysis84 cited

Cited by

2020Multi-analytical investigation of panel, pigments and varnish of The Martyirdom of St. Catherine by Gaudenzio Ferrari (16th century)45 cited
2021PLS-DA and data fusion of visible Reflectance, XRF and FTIR spectroscopy in the classification of mixed historical pigments42 cited
2020Non-invasive mapping methods for pigments analysis of Roman mural paintings38 cited
2021Nondestructive Evaluation of Heritage Object Coatings with Four Hyperspectral Imaging Systems34 cited
2019A blue can conceal another! Noninvasive multispectroscopic analyses of mixtures of indigo and Prussian blue33 cited
2020An automatic hyperspectral scanning system for the technical investigations of Chinese scroll paintings28 cited
2018Study of dry‐ and wet‐process amorphous arsenic sulfides: Synthesis, Raman reference spectra, and identification in historical art materials27 cited
2015Multi‐analytical non‐invasive study of modern yellow paints from postwar Italian paintings from the International Gallery of Modern Art Cà Pesaro, Venice25 cited

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2018Comparing the effectiveness of hyperspectral imaging and Raman spectroscopy: a case study on Armenian manuscripts24 cited

2021Revealing Artists’ Collaboration in a 14th Century Manuscript by Non-Invasive Analyses22 cited

2018Probing some organic ukiyo-e Japanese pigments and mixtures using non-invasive and mobile infrared spectroscopies21 cited

2020Revealing the colours of ukiyo-e prints by short wave infrared range hyperspectral imaging (SWIR)20 cited

2020Blurring of ancient wall paintings caused by binder decay in the pigment layer17 cited

2023Reflectance Spectroscopy as a Novel Tool for Thickness Measurements of Paint Layers17 cited

2017In situ non-invasive characterization of pigments and alteration products on the masonry altar of S. Maria ad Undas (Idro, Italy)17 cited

2016In Situ Identification of Pigment Composition and Particle Size on Wall Paintings Using Visible Spectroscopy as a Noninvasive Measurement Method14 cited