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The Evolution of Theory, Method and Technique in Southern African Rock Art Research
16 references·16 citing·32 second hopsampled
The Evolution of Theory, Method and Technique in Southern African Rock Art Research (2006)The Evolution of Theory, Method and Techn…What is this thing called science? (2014)What is this thing called sci…The mind in the cave: consciousness and the origins of art (2003)The mind in the cave: conscio…The Archaeology of Southern Africa (2003)The Archaeology of Southern A…Emergence of Modern Human Behavior: Middle Stone Age Engravings from South Africa (2002)Emergence of Modern Human Beh…Tricksters and trancers: Bushman religion and society (2000)Tricksters and trancers: Bush…What is this thing called science? (1999)What is this thing called sci…The Shamans of prehistory: trance and magic in the painted caves (1999)The Shamans of prehistory: tr…Human Beginnings in South Africa: Uncovering the Secrets of the Stone Age (1999)Human Beginnings in South Afr…Miscast: negotiating the presence of the Bushmen (1998)Miscast: negotiating the pres…Hunters and Herders of Southern Africa. A Comparative Ethnography of the Khoisan Peoples (1993)Hunters and Herders of Southe…Hunters and Herders of Southern Africa (1992)Hunters and Herders of Southe…The Signs of All Times: Entoptic Phenomena in Upper Palaeolithic Art [and Comments and Reply] (1988)The Signs of All Times: Entop…Believing and Seeing: Symbolic Meanings in Southern San Rock Paintings. (1982)Believing and Seeing: Symboli…The Stone Age cultures of South Africa (1980)The Stone Age cultures of Sou…People of the Eland: Rock-Paintings of the Drakensberg Bushmen as a Reflection of Their Life and Thought (1978)People of the Eland: Rock-Pai…Specimens of Bushman Folklore (1912)Specimens of Bushman FolkloreThe art of music. The representation of musical instruments in the rock art of Zimbabwe (2024)The art of music. The represe…‘A World of Knowledge’: Rock Art, Ritual, and Indigenous Belief at Serranía De La Lindosa in the Colombian Amazon (2024)‘A World of Knowledge’: Rock …الفرضية الشامانية لتفسير الفن الصخري بجنوب قارة أفريقيا وتطبيقها في زيمبابوي خلال العصر الحجري المتأخر (2023)الفرضية الشامانية لتفسير الفن…Thinking, For Example In and About the Past (2023)Thinking, For Example In and …Telling impressions: Breuil's 1929 visit to rock art and Stone Age sites near Kimberley, South Africa (2021)Telling impressions: Breuil's…Interest in geological and palaeontological curiosities by southern African non-western societies: A review and perspectives for future study (2019)Interest in geological and pa…The space of flow at Telperion Shelter: the rock art of a recycled, reused and reimagined place (2018)The space of flow at Telperio…Designing Digital Recording for Volunteers in Rock Art Surveys, Management Plans and Public Outreach in the Cederberg, South Africa (2018)Designing Digital Recording f…PAINTING POSTURES: BODY SYMBOLISM IN SAN ROCK ART OF THE NORTH EASTERN CAPE, SOUTH AFRICA (2013)PAINTING POSTURES: BODY SYMBO…Conflict on the Frontier: San Rock Art, Spirituality, and Historical Narrative in the Free State Province, South Africa (2013)Conflict on the Frontier: San…Rock Art, Inherited Landscapes, and Human Populations in Southern Patagonia (2012)Rock Art, Inherited Landscape…Analogical Evidence and Shamanism in Archaeological Interpretation: South African and European Palaeolithic Rock Art (2011)Analogical Evidence and Shama…Surrogate surfaces: A contextual interpretive approach to the rock art of Uganda (2010)Surrogate surfaces: A context…Practicing physical geography: An actor-network view of physical geography exemplified by the rock art stability index (2010)Practicing physical geography…Changing Views of Drakensberg San Rock Art: Examining Landscape Use, Ritual Activity, and Contact through Multivariate Content-Based Spatial Analysis (2010)Changing Views of Drakensberg…Broken strings: interdisciplinarity and /Xam oral literature (2009)Broken strings: interdiscipli…The varieties of religious experience: A study in human nature. (1902)Bright air, brilliant fire: on the matter of the mind (1992)The revolution that wasn't: a new interpretation of the origin of modern human behavior (2000)The Emergence of Ornaments and Art: An Archaeological Perspective on the Origins of “Behavioral Modernity” (2007)Pleistocene cave art from Sulawesi, Indonesia (2014)Earliest hunting scene in prehistoric art (2019)An early bone tool industry from the Middle Stone Age at Blombos Cave, South Africa: implications for the origins of modern human behaviour, symbolism and language (2001)Blombos Cave, Southern Cape, South Africa: Preliminary Report on the 1992–1999 Excavations of the Middle Stone Age Levels (2001)The Origin of Modern Human Behavior (2003)Late Pleistocene Demography and the Appearance of Modern Human Behavior (2009)The Evolution of Language (2010)Le dessin enfantin (1927)The Medicine Dance of the ! Kung Bushmen (1969)The Evolutionary Emergence of Modern Human Behaviour: Language and its Archaeology (1991)The Archaeology of Religious Ritual (2007)Archaeology and the Senses: Human Experience, Memory, and Affect (2014)Art and Illusion (2017)The Upper Paleolithic Revolution (2002)Technological Pedagogical Content Knowledge: A Framework for Teacher Knowledge (2006)Measurement Instruments for the Anthropomorphism, Animacy, Likeability, Perceived Intelligence, and Perceived Safety of Robots (2008)Theory Construction in Qualitative Research (2012)Style and Social Information in Kalahari San Projectile Points (1983)Reconsidering the behavioral basis for style: A case study among the Kalahari San (1984)The Human Symbolic Revolution: A Darwinian Account (1995)The Return of the Native (2003)The discovery of fire by humans: a long and convoluted process (2016)The Race of Hysteria: "Overcivilization" and the "Savage" Woman in Late Nineteenth-Century Obstetrics and Gynecology (2000)Displaying Sara Baartman, the ‘Hottentot Venus’ (2004)World Heritage and Cultural Economics (2006)Spread of cattle led to the loss of matrilineal descent in Africa: a coevolutionary analysis (2003)Economic Commission for Africa (2009)Engraved ochres from the Middle Stone Age levels at Blombos Cave, South Africa (2009)
this work references cited by second hop· second hop is a sample of the most-cited connections

References

  • 2014What is this thing called science?1,568 cited
  • 1999What is this thing called science?1,088 cited
  • 2002Emergence of Modern Human Behavior: Middle Stone Age Engravings from South Africa987 cited
  • 2003The mind in the cave: consciousness and the origins of art595 cited
  • 2003The Archaeology of Southern Africa507 cited
  • 1988The Signs of All Times: Entoptic Phenomena in Upper Palaeolithic Art [and Comments and Reply]474 cited
  • 1982Believing and Seeing: Symbolic Meanings in Southern San Rock Paintings.436 cited
  • 1992Hunters and Herders of Southern Africa349 cited
  • 1998Miscast: negotiating the presence of the Bushmen335 cited
  • 1999Human Beginnings in South Africa: Uncovering the Secrets of the Stone Age324 cited
  • 1980The Stone Age cultures of South Africa316 cited
  • 1993Hunters and Herders of Southern Africa. A Comparative Ethnography of the Khoisan Peoples302 cited
  • 2000Tricksters and trancers: Bushman religion and society297 cited
  • 1978People of the Eland: Rock-Paintings of the Drakensberg Bushmen as a Reflection of Their Life and Thought269 cited
  • 1912Specimens of Bushman Folklore251 cited

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1999
The Shamans of prehistory: trance and magic in the painted caves
240 cited

Cited by

  • 2009Broken strings: interdisciplinarity and /Xam oral literature30 cited
  • 2012Rock Art, Inherited Landscapes, and Human Populations in Southern Patagonia28 cited
  • 2018Designing Digital Recording for Volunteers in Rock Art Surveys, Management Plans and Public Outreach in the Cederberg, South Africa25 cited
  • 2010Practicing physical geography: An actor-network view of physical geography exemplified by the rock art stability index25 cited
  • 2019Interest in geological and palaeontological curiosities by southern African non-western societies: A review and perspectives for future study21 cited
  • 2010Changing Views of Drakensberg San Rock Art: Examining Landscape Use, Ritual Activity, and Contact through Multivariate Content-Based Spatial Analysis15 cited
  • 2011Analogical Evidence and Shamanism in Archaeological Interpretation: South African and European Palaeolithic Rock Art14 cited
  • 2010Surrogate surfaces: A contextual interpretive approach to the rock art of Uganda10 cited
  • 2024‘A World of Knowledge’: Rock Art, Ritual, and Indigenous Belief at Serranía De La Lindosa in the Colombian Amazon4 cited
  • 2021Telling impressions: Breuil's 1929 visit to rock art and Stone Age sites near Kimberley, South Africa4 cited
  • 2024The art of music. The representation of musical instruments in the rock art of Zimbabwe2 cited
  • 2013Conflict on the Frontier: San Rock Art, Spirituality, and Historical Narrative in the Free State Province, South Africa2 cited
  • 2023Thinking, For Example In and About the Past1 cited
  • 2018The space of flow at Telperion Shelter: the rock art of a recycled, reused and reimagined place1 cited
  • 2013PAINTING POSTURES: BODY SYMBOLISM IN SAN ROCK ART OF THE NORTH EASTERN CAPE, SOUTH AFRICA1 cited
  • 2023الفرضية الشامانية لتفسير الفن الصخري بجنوب قارة أفريقيا وتطبيقها في زيمبابوي خلال العصر الحجري المتأخر0 cited