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Carnival time versus modern social life: a false distinction
16 references·2 citing·30 second hop
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References

  • 2020Rabelais and his world3,421 cited
  • 1988The Politics and Poetics of Transgression3,290 cited
  • 1990Understanding popular culture1,375 cited
  • 2006Understanding Popular Culture1,354 cited
  • 2002Liberty735 cited
  • 2019“THE THRESHOLD OF THE VISIBLE WORLD”:553 cited
  • 2013The Threshold of the Visible World459 cited
  • 2000From bomba to hip-hop: Puerto Rican culture and Latino identity426 cited
  • 1995Noises in the Blood349 cited
  • 1984Rethinking Intellectual History: Texts, Contexts, Language318 cited
  • 1995Modernity-an Ethnographic Approach: Dualism and Mass Consumption in Trinidad.317 cited
  • 1974Crab Antics: The Social Anthropology of the English-Speaking Negro Societies of the Caribbean303 cited
  • 1997Noises in the Blood: Orality, Gender, and the "Vulgar" Body of Jamaican Popular Culture.270 cited
  • 2002From Bomba to Hip Hop: Puerto Rican Culture and Latino Identity185 cited
  • 1975Crab Antics: The Social Anthropology of English-Speaking Negro Societies in the Caribbean.183 cited
  • 1972The Trinidad Carnival, Mandate for a National Theatre

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180 cited

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  • 2021Carnival, Sexual Violence and Harm at Australian Music Festivals21 cited
  • 2013Exposing her body, revealing the nation: the carnival vedette, black femininity and the symbolic order5 cited