Drama and the Dialogic Imagination: The Heidi Chronicles and Fefu and Her Friends

Abstract

I first came to know the writings of Mikhail Bakhtin in the mid–seventies. [ Increasingly hailed as one of the most daring and profound philosopher–critics of the twentieth century, Baklnin was difficult to read but easy to admire. Indeed, as striking as has been the growing interest in Balchtin's ideas has been the range of people whose interest he has aroused — feminists and nonfeminists, Marxists and anti–Marxists. modernists and postmodernists. social scientists, linguists, psychologists, literary critics and philosophers. Few seemed to notice that they were in strange company. The only people blatantly missing in the crowd were others like me — drama critics and practitioners of theatre.

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