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This paper describes the contents of an album of photographs taken in 1861–2 by the seventeen-year-old third son of the renowned architect George Gilbert Scott. The album is evidence of the growing popularity of photography as a hobby for amateurs in the 1850s and 1860s as a result of technical developments that made the equipment easier to transport and use in the field. Analysis of the subjects in the album reveals a pioneering interest in vernacular architecture; the album also contains rare and early photographs of railway subjects and the only known portrait of George Gilbert Scott's wife, Caroline Oldrid.
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