Cocoliche's Romp: Fun with Nationalism at Argentina's Carnival

Micol Seigel

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Arts and Performance Studies Latin American and Latino Studies Afro-Latin American Studies

Abstract

In the early 1900s, during a period of massive European immigration, amid a rising tide of restrictions against workers, unions, and anarchists, as well as the violent marginalization of indigenous and Afro-Argentines, Carnival was the arena for negotiating still-fluid national identity-boundaries.

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References

1985Imagined Communities. Reflections on the Origin and Spread of Nationalism 1988The Politics and Poetics of Transgression 1985Between Men: English Literature and Male Homosocial Desire.1976Toward an Anthropology of Women.1975The Traffic in Women: Notes on the "Political Economy" of Sex 1992Foundational Fictions: The National Romances of Latin America 2017Manliness and Civilization: A Cultural History of Gender and Race in the United States, 1880-1917 2017Popular Culture in Early Modern Europe

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2015Radio and the Gendered Soundscape: Women and Broadcasting in Argentina and Uruguay, 1930–1950 2009Imagining the Afro-Uruguayan Conventillo: Belonging and the Fetish of Place and Blackness 2010Ethnic identity and elite idyll: a comparison of carnival in Buenos Aires, Argentina and Montevideo, Uruguay, 1900–1920

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