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“Suit the Action to the Word, the Word to the Action”: An Unconventional Approach to Describing Shakespeare's Hamlet
6 references·11 citing·37 second hop
“Suit the Action to the Word, the Word to the Action”: An Unconventional Approach to Describing Shakespeare's Hamlet (2009)“Suit the Action to the Word, the Word to…Universal Access in the Information Society (2013)Universal Access in the Infor…Hearing Difference across Theatres: Experimental, Disability, and Deaf Performance (2006)Hearing Difference across The…Audio description: The visual made verbal (2005)Audio description: The visual…Adding Audio Description: Does it Make a Difference? (2001)Adding Audio Description: Doe…Ahhhh Freak Out! Metaphors of Disability and Femaleness in Performance (1999)Ahhhh Freak Out! Metaphors of…Evaluating Visual Information Provided by Audio Description (1996)Evaluating Visual Information…Investigating short video consumption practices by individuals with visual impairments in China: questions of how to ‘see’ (2024)Investigating short video con…Designing, Making, and Validating Accessible Products and Services (2022)Designing, Making, and Valida…Towards a pedagogy of accessibility: The need for critical learning spaces in media accessibility education and training (2020)Towards a pedagogy of accessi…Seeing films through sound: Sound design, spatial audio, and accessibility for visually impaired audiences (2020)Seeing films through sound: S…Inclusive Design, Audio Description and Diversity of Theatre Experiences (2013)Inclusive Design, Audio Descr…Auteur Description: From the Director's Creative Vision to Audio Description (2013)Auteur Description: From the …Audio Description Made to Measure: Reflections on Interpretation in AD Based on the Pear Tree Project Data (2012)Audio Description Made to Mea…Audio description as an aural guide of children's visual attention (2012)Audio description as an aural…Universal design on stage: live audio description for theatrical performances (2010)Universal design on stage: li…Horatio audio-describes Shakespeare’s Hamlet (2010)Horatio audio-describes Shake…Enhancing the entertainment experience of blind and low‐vision theatregoers through touch tours (2010)Enhancing the entertainment e…The Pear Stories: Cognitive, Cultural and Linguistic Aspects of Narrative Production (1980)Audio description: Professional recognition, practice and standards in Spain (2005)Audio Description from a discourse perspective: a socially relevant framework for research and training (2021)Blindness, Art and Exclusion in Museums and Galleries (2003)The Dubious Inheritance of Touch: Art History and Museum Access (2006)Beyond Audio Description: Exploring 360° Video Accessibility with Blind and Low Vision Users Through Collaborative Creation (2023)Extraordinary Bodies: Figuring Physical Disability in American Culture and Literature (1998)4.3 ‘Bodies that Matter’ (1999)Metaphors We Live By (2003)Mobility: AXIS Dancers Push the Boundaries of Access (2008)Eye movements in reading and information processing. 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this work references cited by second hop

References

  • 2013Universal Access in the Information Society325 cited
  • 2001Adding Audio Description: Does it Make a Difference?127 cited
  • 2005Audio description: The visual made verbal114 cited
  • 1996Evaluating Visual Information Provided by Audio Description85 cited
  • 1999Ahhhh Freak Out! Metaphors of Disability and Femaleness in Performance41 cited
  • 2006Hearing Difference across Theatres: Experimental, Disability, and Deaf Performance31 cited

Cited by

  • 2012Audio description as an aural guide of children's visual attention45 cited
  • 2013Auteur Description: From the Director's Creative Vision to Audio Description42 cited
  • 2010Enhancing the entertainment experience of blind and low‐vision theatregoers through touch tours36 cited
  • 2012Audio Description Made to Measure: Reflections on Interpretation in AD Based on the Pear Tree Project Data35 cited
  • 2020Seeing films through sound: Sound design, spatial audio, and accessibility for visually impaired audiences32 cited
  • 2020Towards a pedagogy of accessibility: The need for critical learning spaces in media accessibility education and training30 cited
  • 2013Inclusive Design, Audio Description and Diversity of Theatre Experiences30 cited
  • 2010Horatio audio-describes Shakespeare’s Hamlet30 cited

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  • 2010Universal design on stage: live audio description for theatrical performances28 cited
  • 2024Investigating short video consumption practices by individuals with visual impairments in China: questions of how to ‘see’2 cited
  • 2022Designing, Making, and Validating Accessible Products and Services1 cited