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Did Nobody Pass the Girls the Guitar? Queer Appropriations in Contemporary Cuban Popular Song
12 references·0 citing·30 second hop
Did Nobody Pass the Girls the Guitar? Queer Appropriations in Contemporary Cuban Popular Song (2006)Did Nobody Pass the Girls the Guitar? Que…The Lesbian and Gay Studies Reader (2012)The Lesbian and Gay Studies R…The History of Sexuality: An Introduction (2012)The History of Sexuality: An …Transformations in Cuban Nueva trova, 1965-95 (2003)Transformations in Cuban Nuev…Queer episodes in music and modern identity (2003)Queer episodes in music and m…Divine Utterances: The Performance of Afro-Cuban Santeria (2001)Divine Utterances: The Perfor…Tropics of Desire: Interventions from Queer Latino America (2000)Tropics of Desire: Interventi…Listening to Salsa: Gender, Latin Popular Music, and Puerto Rican Cultures (1999)Listening to Salsa: Gender, L…Nationalizing Blackness: Afrocubanismo and Artistic Revolution in Havana, 1920-1940 (1998)Nationalizing Blackness: Afro…Queering the pitch: the new gay and lesbian musicology (1995)Queering the pitch: the new g…Bodies that Matter: on the Discursive Limits of 'Sex' (1994)Bodies that Matter: on the Di…Homosexuality, Homophobia, and Revolution: Notes toward an Understanding of the Cuban Lesbian and Gay Male Experience, Part II (1985)Homosexuality, Homophobia, an…Homosexuality, Homophobia, and Revolution: Notes toward an Understanding of the Cuban Lesbian and Gay Male Experience, Part I (1984)Homosexuality, Homophobia, an…Jazz Among the Discourses (1995)Defining and Measuring Sexual Orientation: A Review (1997)As Wonderful as Star Clusters: Instruments for Gazing at Tonality in Schubert (1999)Sexual Politics in Cuba: Machismo, Homosexuality, and AIDS (1995)Undressing the Universal Queer Subject: Nicaraguan activism and transnational identity (2002)Subversive Sexualities: Revolutionizing Gendered Identities (2008)Honor, Status, and Law in Modern Latin America (2005)Racial Politics in Post-Revolutionary Cuba (2005)Latin America as a White Settler Society (2007)Salsa Dance and the Transformation of Style: An Ethnographic Study of Movement and Meaning in a Cross-Cultural Context (2008)Rhythms of the Afro-Atlantic world: rituals and remembrances (2011)Oceans, cities, islands: sites and routes of Afro-diasporic rhythm cultures (2014)Performing tourism, staging tourism (2001)Intersectionality as buzzword (2008)Critical performativity: The unfinished business of critical management studies (2009)Gender, Habitus and the Field (1999)Casualties of Care (2011)Power through, over and in ideas: conceptualizing ideational power in discursive institutionalism (2015)The Violence of Heteronormativity in Communication Studies (2003)Women are Victims, Men Make Choices: The Invisibility of Men and Boys in the Global Sex Trade (2008)Development, Sexual Rights and Global Governance (Edition 1) (2010)GLOBAL IDENTITIES (2001)Orientations (2006)Queer Intersections: Sexuality and Gender in Migration Studies (2006)Changing Space, Making Race: Distance, Nostalgia, and the Folklorization of Blackness in Puerto Rico (2002)Nationalism and Latin American Music: Selected Case Studies and Theoretical Considerations (2003)Intangible Heritage as a Festival; or, Folklorization Revisited (2018)Queer Listening to Queer Vocal Timbres (2010)The Cambridge Companion to Opera Studies (2012)Ethnomusicology without Erotics (2015)
this work references cited by second hop

References

  • 1994Bodies that Matter: on the Discursive Limits of 'Sex'7,450 cited
  • 2012The History of Sexuality: An Introduction5,375 cited
  • 2012The Lesbian and Gay Studies Reader2,481 cited
  • 1998Nationalizing Blackness: Afrocubanismo and Artistic Revolution in Havana, 1920-1940748 cited
  • 2000Tropics of Desire: Interventions from Queer Latino America334 cited
  • 1995Queering the pitch: the new gay and lesbian musicology221 cited
  • 2001Divine Utterances: The Performance of Afro-Cuban Santeria164 cited
  • 1984Homosexuality, Homophobia, and Revolution: Notes toward an Understanding of the Cuban Lesbian and Gay Male Experience, Part I145 cited
  • 1999Listening to Salsa: Gender, Latin Popular Music, and Puerto Rican Cultures126 cited
  • 2003Queer episodes in music and modern identity87 cited
  • 1985Homosexuality, Homophobia, and Revolution: Notes toward an Understanding of the Cuban Lesbian and Gay Male Experience, Part II63 cited
  • 2003Transformations in Cuban Nueva trova, 1965-9542 cited

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