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The ‘social history’ of popular music: a label without a cause?
16 references·2 citing·27 second hop
The ‘social history’ of popular music: a label without a cause? (1993)The ‘social history’ of popular music: a …Propaganda and Empire (2017)Propaganda and EmpirePopular Imperialism and the Military, 1850-1950. (1993)Popular Imperialism and the M…Visions of the People (1991)Visions of the PeopleStudying Popular Music (1991)Studying Popular MusicThe Hidden Musicians: Music-Making in an English Town. (1990)The Hidden Musicians: Music-M…Studying Popular Music (1990)Studying Popular MusicThe Hidden Musicians: Music-Making in an English Town (1989)The Hidden Musicians: Music-M…Popular Music in England, 1840-1914. A Social History (1989)Popular Music in England, 184…Music and Society: The Politics of Composition, Performance and Reception. (1988)Music and Society: The Politi…Fakesong. The Manufacture of British 'Folksong' 1700 to the Present Day (1988)Fakesong. The Manufacture of …Imperialism and Popular Culture (1987)Imperialism and Popular Cultu…Music Hall: The Business of Pleasure (1986)Music Hall: The Business of P…Languages of Class: Studies in English Working Class History, 1832-1982. (1984)Languages of Class: Studies i…Working-Class Culture and Working-Class Politics in London, 1870-1900; Notes on the Remaking of a Working Class (1974)Working-Class Culture and Wor…The Making of the English Working Class. (1966)The Making of the English Wor…The Making of the English Working Class (1964)The Making of the English Wor…Victorian Music: A Perspective (1998)Victorian Music: A PerspectiveMusic and national identity in Scotland: a study of Jock Tamson's Bairns (1997)Music and national identity i…Culture in Action: Symbols and Strategies (1986)What Is Agency? (1998)The New Imperialism (2003)Researching youth culture and popular music: a methodological critique (2002)Popular music education in and for itself, and for ‘other’ music: current research in the classroom (2006)The mp3 as cultural artifact (2006)Club cultures: music, media and subcultural capital (1996)Places around us: embodied lay geographies in leisure and tourism (2000)Mutual Learning and Democratic Action in Instrumental Music Education (2003)Slave sugar boycotts, female activism and the domestic base of British anti‐slavery culture1 (1996)The ‘legacy’ of Rome : the rise, decline, and fall of the theory of Romanization (1996)Britishness and Australian identity: The problem of nationalism in Australian history and historiography∗ (2001)Music in Everyday Life (2000)The Mediatization of Society (2008)Culture, identity and tourism representation: marketing Cymru or Wales? (2001)Consumerism in Twentieth-Century Britain (2003)Class Identities and the Identity of Class (2004)Narrativity, Narrative Identity, and Social Action: Rethinking English Working-Class Formation (1992)Mapping politics: how context counts in electoral geography (1996)Territorial Stigmatization in the Age of Advanced Marginality (2007)Backpacking experiences (2002)Britishness and Otherness: An Argument (1992)Representing Whiteness in the Black Imagination (1997)Affirming authenticity (1999)The Essential Child (2003)The Moral Significance of Class (2005)The Power of Constructivist Grounded Theory for Critical Inquiry (2016)
this work references cited by second hop

References

  • 1966The Making of the English Working Class.4,317 cited
  • 1964The Making of the English Working Class4,277 cited
  • 1990Studying Popular Music606 cited
  • 1988Music and Society: The Politics of Composition, Performance and Reception.596 cited
  • 1984Languages of Class: Studies in English Working Class History, 1832-1982.564 cited
  • 1989The Hidden Musicians: Music-Making in an English Town455 cited
  • 1987Imperialism and Popular Culture448 cited
  • 1991Visions of the People412 cited
  • 1990The Hidden Musicians: Music-Making in an English Town.387 cited
  • 2017Propaganda and Empire378 cited
  • 1991Studying Popular Music246 cited
  • 1974Working-Class Culture and Working-Class Politics in London, 1870-1900; Notes on the Remaking of a Working Class196 cited
  • 1986Music Hall: The Business of Pleasure193 cited
  • 1993Popular Imperialism and the Military, 1850-1950.177 cited
  • 1989Popular Music in England, 1840-1914. A Social History173 cited
  • 1988Fakesong. The Manufacture of British 'Folksong' 1700 to the Present Day150 cited

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Cited by

  • 1997Music and national identity in Scotland: a study of Jock Tamson's Bairns6 cited
  • 1998Victorian Music: A Perspective5 cited