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While scholars have argued that in Emile Rousseau uses Robinson Crusoe as a model of self-sufficiency to further his ideal of a “natural” man, this essay argues that Rousseau's presentation of Defoe's hero points in precisely the opposite direction. Crusoe is not a natural man but rather a social man in isolation, and makes his solitude an object of reflection. He therefore assists in the development of Emile's awareness of himself as an individual, which marks the transition between Emile's existence as a merely physical being and his existence as a moral being. Crusoe prepares Emile to address the question, “What is society good for?” by expanding Emile's understanding of what is good. The implications of these considerations for understanding Rousseau's ideas about authorship, identity, and the possibility of a truly self-sufficient individual are developed.
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