The First Published Edition of Anton Bruckner's Fourth Symphony: Collaboration and Authenticity

Abstract

modern collected editions.' This rejection derives from the contention that the text published in 1889 is not authentic, that it is a completely spurious score drawn up by two younger associates, Ferdinand L6we and Franz Schalk, which should be rejected altogether as a falsification of Bruckner's intentions.2 Thus the second version, which dates from 1880-81, is generally considered the definitive text of the symphony. In keeping with this logic, the third version has been supplanted by modern critical editions based on the second version.3 The conviction that the third version is not

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