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Cited by

• 2000The British Museum and the Virtual Representation of Culture in the Eighteenth Century78 cited
• 2010Beyond Mimesis and Convention75 cited
• 2003The Paradox of the Anthology: Collecting and Difference in Eighteenth-Century Britain34 cited
• 2012Taste Communities: The Rise of the Amateur in Eighteenth-Century Paris29 cited
• 2010“Struggling against a Vulgar Prejudice”: Patriotism and the Collecting of British Art at the Turn of the Nineteenth Century26 cited
• 2000Picturing Tragedy: Mrs. Siddons as The Tragic Muse Revisited24 cited
• 2016Evolution of Tonal Organization in Music Optimizes Neural Mechanisms in Symbolic Encoding of Perceptual Reality. Part-2: Ancient to Seventeenth Century21 cited
• 2004Designs on the City: John Gwynn's Plans for Georgian London19 cited
• 2016Art Auctions and Art Investment in the Golden Age of British Painting17 cited
• 1999Art and its markets12 cited
• 2000Making Hogarth Heritage12 cited
• 2010Experiment, Theory, Representation: Robert Hooke’s Material Models9 cited
• 2000Rules versus play in early modern art markets8 cited
• 1996Picturing the Thing Itself, or Not: Defoe, Painting, Prose Fiction, and the Arts of Describing