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Archive or Memory? The Detritus of Live Performance
2 references·16 citing·41 second hop
Archive or Memory? The Detritus of Live Performance (2003)Archive or Memory? The Detritus of Live P…The seductions of the archive: voices lost and found (1999)The seductions of the archive…The archive and the human sciences: notes towards a theory of the archive (1998)The archive and the human sci…The Data-Driven Festival: Recordkeeping and Archival Practices (2020)The Data-Driven Festival: Rec…Creating a Theatrical Experience on a Virtual Stage (2018)Creating a Theatrical Experie…Choreographing American Dance Archives: Artist-Driven Archival Projects by Eiko & Koma, Bebe Miller Company, and Jennifer Monson (2018)Choreographing American Dance…Transmitting, Transforming, and Documenting Dance in the Digital Environment: What Dance Does Now that It Didn’t Do Before (2017)Transmitting, Transforming, a…Social Media as Theatre Stage: Aesthetics, Affordances and Interactivities (2017)Social Media as Theatre Stage…Impact and OperaScotland, the listings and archive website (2017)Impact and OperaScotland, the…The Temporality of the Landscape Revisited (2016)The Temporality of the Landsc…Private passions, public archives : approaches to the private collector and collection of theatrical ephemera in the context of the public theatre archive (2016)Private passions, public arch…Archivists and Thespians: A Case Study and Reflections on Context and Authenticity in a Digitization Project (2016)Archivists and Thespians: A C…Screening early modern drama: beyond Shakespeare (2014)Screening early modern drama:…Restaging the record: The role of contemporary archives in safeguarding and preserving performance as intangible cultural heritage (2014)Restaging the record: The rol…The Right to Decay with Dignity: Documentation and the Negotiation between an Artist’s Sanction and the Cultural Interest (2012)The Right to Decay with Digni…Material Remains at Play (2012)Material Remains at PlayDepth‐charge in the archive: the documentation of performance revisited in the digital age (2010)Depth‐charge in the archive: …Access to digitized performance documentation and the AusStage database (2010)Access to digitized performan…Curating Digital Records of Performance (2008)Curating Digital Records of P…The Standard Edition of the Complete Psychological Works of Sigmund Freud (1953)Archive Fever: A Freudian Impression (1995)Camera Lucida: Reflections on Photography (2001)The Artist's Sanction in Contemporary Art (2005)Panel Problems: Issues and Opportunities for Webcomics Archives (2018)Contemporary Art and Historical Archives: Collaborations and Convergences in a Digital Multicultural Age (2019)Defying Nature: The Challenges of Conserving Organic Contemporary Art (2020)The Past is a Foreign Country (1986)The making of memory: the politics of archives, libraries and museums in the construction of national consciousness (1998)Archiving cultures (2000)The Past as a Foreign Country? Some Methodological Implications of Doing Historical Criminology (2001)Touching the void: Affective history and the impossible (2010)Works and Lives: The Anthropologist as Author (1989)Paratexts: Thresholds of Interpretation (1997)Arguing with the KGB Archives. Archival and Narrative Memory in Post-Soviet Latvia (2001)The history of psychological categories (2005)Excavating the Archive / Archiving the Excavation: Archival Processes and Contexts in Archaeology (2022)A Thousand Plateaus: Capitalism and Schizophrenia (1989)Unmarked: The Politics of Performance (1994)Performers creators and audience: co-participants in an interconnected model of performance and creative process (2014)THE QUESTION CONCERNING TECHNOLOGY (2018)Time and the Other: How Anthropology Makes Its Object (1983)The Perception of the Environment (2002)Why Has Critique Run out of Steam? From Matters of Fact to Matters of Concern (2004)FROM LANDSCAPES OF MEANING TO LANDSCAPES OF SIGNIFICATION IN THE AMERICAN SOUTHWEST (2017)From the ground up: cultural heritage practices as tools for empowerment in the Homeless Heritage project (2017)What do Amazonian Shellmounds Tell Us About the Long-Term Indigenous History of South America? (2018)Narrative as virtual reality: immersion and interactivity in literature and electronic media (2001)Unmarked (2003)Film and Theatre (1966)The Hidden Dimension (1973)Telematic Embrace: Visionary Theories of Art, Technology, and Consciousness (2003)The archaeology of knowledge ; and, The discourse on language (1972)Discipline and Punish: The Birth of the Prison. (1978)Discipline and Punish: The Birth of the Prison. (1996)Dance Archives in Brazil: A Brief Introduction (2020)Creative futures for cultural heritage: a typology of creative practice in the GLAM sector – towards a creative heritage approach (2024)The Dialogic Imagination: Four Essays (1982)Powers of Horror: An Essay on Abjection (1984)Subculture: The Meaning of Style (1995)Not Making a Movie: The Livecasting of Shakespeare Stage Productions by The Royal National Theatre and The Royal Shakespeare Company (2016)
this work references cited by second hop

References

  • 1999The seductions of the archive: voices lost and found106 cited
  • 1998The archive and the human sciences: notes towards a theory of the archive50 cited

Cited by

  • 2016The Temporality of the Landscape Revisited55 cited
  • 2014Screening early modern drama: beyond Shakespeare26 cited
  • 2010Depth‐charge in the archive: the documentation of performance revisited in the digital age12 cited
  • 2018Choreographing American Dance Archives: Artist-Driven Archival Projects by Eiko & Koma, Bebe Miller Company, and Jennifer Monson9 cited
  • 2012Material Remains at Play8 cited
  • 2012The Right to Decay with Dignity: Documentation and the Negotiation between an Artist’s Sanction and the Cultural Interest6 cited
  • 2017Social Media as Theatre Stage: Aesthetics, Affordances and Interactivities6 cited
  • 2018Creating a Theatrical Experience on a Virtual Stage6 cited
  • 2017Transmitting, Transforming, and Documenting Dance in the Digital Environment: What Dance Does Now that It Didn’t Do Before6 cited
  • 2020The Data-Driven Festival: Recordkeeping and Archival Practices4 cited
  • 2016Archivists and Thespians: A Case Study and Reflections on Context and Authenticity in a Digitization Project3 cited
  • 2010Access to digitized performance documentation and the AusStage database

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2 cited
  • 2016Private passions, public archives : approaches to the private collector and collection of theatrical ephemera in the context of the public theatre archive2 cited
  • 2008Curating Digital Records of Performance1 cited
  • 2017Impact and OperaScotland, the listings and archive website1 cited
  • 2014Restaging the record: The role of contemporary archives in safeguarding and preserving performance as intangible cultural heritage1 cited