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Passing—and Failing—in Late-Nineteenth-Century Russia; or Why We Should Care about the Cuts in Tchaikovsky's Violin Concerto
6 references·0 citing·20 second hop
Passing—and Failing—in Late-Nineteenth-Century Russia; or Why We Should Care about the Cuts in Tchaikovsky's Violin Concerto (2003)Passing—and Failing—in Late-Nineteenth-Ce…Franz Schubert and the Peacocks of Benvenuto Cellini (1989)Franz Schubert and the Peacoc…Rhythmic Gesture in Mozart: Le Nozze di Figaro and Don Giovanni (1986)Rhythmic Gesture in Mozart: L…A Musical Dialectic from the Enlightenment: Mozart's "Piano Concerto in G Major, K. 453", Movement 2 (1986)A Musical Dialectic from the …Chernomor to Kashchei: Harmonic Sorcery; Or, Stravinsky's "Angle" (1985)Chernomor to Kashchei: Harmon…Rhythmic Gesture in Mozart (1984)Rhythmic Gesture in MozartProblems of Pitch Organization in Stravinsky (1963)Problems of Pitch Organizatio…The Technique of My Musical Language (1957)Poetics of Music in the Form of Six Lessons (1970)Basic atonal theory (1980)The Quest for the Origins of Music in Germany Circa 1900 (2000)Hugo Riemann and the Birth of Modern Musical Thought (2003)Virtuosity and the Musical Work (2003)Piano Four-Hands: Schubert and the Performance of Gay Male Desire (1997)Extraordinary Measures (2011)Just Vibrations (2016)Traces d’écoutes : sur quelques tentatives historiennes de saisie du corps de la musique (2010)Process and Pendulum in Schubert's Expanded Type 1 Sonatas (2021)Stravinsky's "Special Sense": The Rhetorical Use of Tonality in "The Rake's Progress" (1997)Stravinsky and the Octatonic: A Reconsideration (2002)American Stravinsky : The Style and Aesthetics of Copland's New American Music, the Early Works, 1921-1938 (2012)Does Music Theory Need Musicology? (1992)MultiMedia: Texts and Contexts (2005)Concerto of the individual (2009)Difference and Enlightenment in Haydn’s instrumental music (2014)Tonality as Topic (2017)Compound AABA Form and Style Distinction in Heavy Metal (2021)
this work references cited by second hop

References

  • 1985Chernomor to Kashchei: Harmonic Sorcery; Or, Stravinsky's "Angle"147 cited
  • 1963Problems of Pitch Organization in Stravinsky127 cited
  • 1984Rhythmic Gesture in Mozart108 cited
  • 1989Franz Schubert and the Peacocks of Benvenuto Cellini96 cited
  • 1986A Musical Dialectic from the Enlightenment: Mozart's "Piano Concerto in G Major, K. 453", Movement 238 cited
  • 1986Rhythmic Gesture in Mozart: Le Nozze di Figaro and Don Giovanni27 cited

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