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Toward a Synthesized History of Photography: A Conceptual Genealogy of Shashin
5 references·12 citing·28 second hop
Toward a Synthesized History of Photography: A Conceptual Genealogy of Shashin (2010)Toward a Synthesized History of Photograp…The History of Japanese Photography (2003)The History of Japanese Photo…Taiga's True Views: The Language of Landscape Painting in Eighteenth-Century Japan (1995)Taiga's True Views: The Langu…The naming of photography (1993)The naming of photographyThe Writing of History (1988)The Writing of HistoryLanguage, Counter-Memory, Practice (1978)Language, Counter-Memory, Pra…Ichiro Kagiyama in Early Twentieth Century Sydney (2017)Ichiro Kagiyama in Early Twen…Some Observations Pertaining to Cartoon Physics; or, The Cartoon Cat in the Machine (2014)Some Observations Pertaining …Signatures of Motion (2014)Signatures of MotionPolygraphic Photography and the Origins of 3-D Animation (2014)Polygraphic Photography and t…Film as Experiment in Animation: Are Films Experiments on Human Beings? (2014)Film as Experiment in Animati…Cartoon Film Theory (2014)Cartoon Film TheoryAnimation, in Theory (2014)Animation, in TheoryAnimating the Instant (2014)Animating the InstantAnimating Film Theory (2014)Animating Film TheoryAndré Martin, Inventor of Animation Cinema (2014)André Martin, Inventor of Ani…1 : : Animation and History (2014)1 : : Animation and History“First Principles” of Animation (2014)“First Principles” of Animati…Visual Pleasure and Narrative Cinema (1975)Cinema I (1986)The Queer Art of Failure (2011)The 3-D Animated Codescape: Imperfection and Digital Labor Zones in Wall-E (2008) and Wreck-It Ralph (2012) (2016)The Ever-Expanding Scope of Animation Historiography: A Discussion of Interdisciplinary Approaches and Methods (2022)(Inter)(in)animating the Museum: Architecture, Place, Memory (2025)Understanding Media: The Extensions of Man (1964)Postmodernism, or, The Cultural Logic of Late Capitalism (1992)Postmodernism, or, The cultural logic of late capitalism (1991)Traces of the World: Cel Animation and Photography (2016)Animating Chinese cinemas: A preface (2017)Figure and Force in Animation Aesthetics (2019)One-Dimensional Man: Studies in the Ideology of Advanced Industrial Society (2021)Stuart Hall: Critical Dialogues in Cultural Studies (2006)Design in Motion: Introducing Science/Animation (2015)Music Video’s Performing Bodies: Floria Sigismondi as Gestural Animator and Puppeteer (2015)A Preliminary Discourse on the Study of Natural Philosophy (1987)Techniques of the Observer: On Vision and Modernity in the 19th Century (1990)Techniques of the observer: on vision and modernity in the nineteenth century (1991)What's in a Name? Photography and the Reinvention of Visual Truth in China, 1840–1911 (2013)The archeology of accounting systems (1987)Normative Power Europe: A Contradiction in Terms? (2002)Journalists as interpretive communities (1993)Venus in Two Acts (2008)Research Strategies for Organizational History: A Dialogue Between Historical Theory and Organization Theory (2013)Power Made Visible: Photography and Postwar Japan's Elusive Reality (2008)Unpacking the Archive: Ichthyology, Photography, and the Archival Record in Japan and Korea (2010)Allegories of Time and Space: Japanese Identity in Photography and Architecture (2015)
this work references cited by second hop

References

  • 1978Language, Counter-Memory, Practice1,827 cited
  • 1988The Writing of History678 cited
  • 1993The naming of photography29 cited
  • 2003The History of Japanese Photography20 cited
  • 1995Taiga's True Views: The Language of Landscape Painting in Eighteenth-Century Japan7 cited

Cited by

  • 2014Animating the Instant37 cited
  • 2014“First Principles” of Animation35 cited
  • 20141 : : Animation and History24 cited
  • 2014Cartoon Film Theory16 cited
  • 2014André Martin, Inventor of Animation Cinema13 cited
  • 2014Signatures of Motion12 cited
  • 2014Some Observations Pertaining to Cartoon Physics; or, The Cartoon Cat in the Machine12 cited
  • 2014Animation, in Theory7 cited
  • 2014Film as Experiment in Animation: Are Films Experiments on Human Beings?4 cited
  • 2014Animating Film Theory4 cited
  • 2014Polygraphic Photography and the Origins of 3-D Animation4 cited
  • 2017Ichiro Kagiyama in Early Twentieth Century Sydney

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1 cited