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Subversion and Countersubversion: Power, Control, and Meaning in the New Iranian Pop Music
2 references·11 citing·33 second hop
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this work references cited by second hop

References

  • 1982Iran Between Two Revolutions1,157 cited
  • 1982Iran between two Revolutions422 cited

Cited by

  • 2013Intimating Dissent: Popular Song, Poetry, and Politics in Pre-Revolutionary Iran38 cited
  • 2017More than meets the eye: videography and production of desire in semiocapitalism25 cited
  • 2018“Our Angel of Salvation”: Toward an Understanding of Iranian Cyberspace as an Alternative Sphere of Musical Sociality16 cited
  • 2011Migrating music and good-enough cosmopolitanism8 cited
  • 2007The Language of Rock: Iranian Youth, Popular Music, and National Identity8 cited
  • 2017Sounds like Iran: On popular music of Iran7 cited
  • 2019Windows onto Other Worlds: Music and the Negotiation of Otherness in Iranian Cinema7 cited
  • 2017The Story of a Man Without Lips: Representational Politics in Iranian Music Education6 cited
  • 2014Trends in contemporary conscious music in Iran4 cited
  • 2013Two Revivalist Moments in Iranian Classical Music3 cited
  • 2017Voicing their presence: Postrevolution Iranian female vocalists in context3 cited

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