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SoundScan and the consolidation of control in the popular music industry
12 references·4 citing·47 second hop
SoundScan and the consolidation of control in the popular music industry (1997)SoundScan and the consolidation of contro…The Implications of Ownership Changes on Concentration and Diversity in the Phonogram Industry (1992)The Implications of Ownership…Innovation and Diversity in the Popular Music Industry, 1969 to 1990 (1992)Innovation and Diversity in t…Popular Music and Communication. (1988)Popular Music and Communicati…PROGRAMMING DECISION MAKING IN POPULAR MUSIC RADIO (1985)PROGRAMMING DECISION MAKING I…Ratings and the institutional approach: A third answer to the commodity question (1984)Ratings and the institutional…Popular Music: Concentration and Diversity in the Industry, 1974–1980 (1982)Popular Music: Concentration …Production Organizations in the Arts (1976)Production Organizations in t…Record Roulette: What Makes It Spin? (1975)Record Roulette: What Makes I…Organizational Effectiveness and the Institutional Environment (1975)Organizational Effectiveness …Cycles in Symbol Production: The Case of Popular Music (1975)Cycles in Symbol Production: …Processing Fads and Fashions: An Organization-Set Analysis of Cultural Industry Systems (1972)Processing Fads and Fashions:…Entrepreneurship in Organizations: Evidence from the Popular Music Industry (1971)Entrepreneurship in Organizat…New Technologies and the Business of Music: Lessons from the 1980s Home Taping Hearings (2013)New Technologies and the Busi…Competitiveness, Local Production Systems and Global Commodity Chains in the Music Industry: Entering the US Market (2007)Competitiveness, Local Produc…The computerization of practice in peripheral music communities (2003)The computerization of practi…“Here you come again”:1Country music's performance on the pop singles charts from 1955 to 1996 (1998)“Here you come again”:1Countr…Organization and environment (1967)The Production of Culture (1976)Revitalizing the Culture Concept (1979)The Social Psychology of Organizations. (1979)The Management of Innovation (1994)Social and environmental reporting in local authorities (2005)The Competitive Advantage of Nations (1990)The Competitive Advantage of Nations (1991)Clusters and knowledge: local buzz, global pipelines and the process of knowledge creation (2004)Editorial: Reaching Out to New Territories … (2009)How User‐centric Innovation is Affecting Stakeholder Marketing Strategies: Exploratory Findings from the Music Industry (2018)With a little help from my fans: the transformative role of the consumer in music co-production (2018)Strategy and Structure: Chapters in the History of Industrial Enterprise. (1963)The Dynamics of Competitive Intensity (1997)Sustained Competitive Advantage: Temporal Dynamics and the Incidence and Persistence of Superior Economic Performance (2002)Knowledge and competitive advantage: the coevolution of firms, technology, and national institutions (2004)Strategy and Structure: Chapters in the History of the American Industrial Enterprise (1962)Fashion: From Class Differentiation to Collective Selection (1969)Managerial Fads and Fashions: The Diffusion and Rejection of Innovations (1991)The Categorical Imperative: Securities Analysts and the Illegitimacy Discount (1999)Experimental Study of Inequality and Unpredictability in an Artificial Cultural Market (2006)Diffusion of Innovations 1 (2019)Marxism and Literature (1978)Policing the Crisis (1978)3.2. MARXISM AND LITERATURE (2006)Dallas Smythe Today - The Audience Commodity, the Digital Labour Debate, Marxist Political Economy and Critical Theory. (2012)Crushing Candy: The Free-to-Play Game in Its Connective Commodity Form (2015)Dallas Smythe Today – The Audience Commodity, the Digital Labour Debate, Marxist Political Economy and Critical Theory. Prolegomena to a Digital Labour Theory of Value (2015)The Causal Texture of Organizational Environments (1965)A Framework for the Comparative Analysis of Organizations (1967)Classification in Art (1987)The Theory of Economic Development (2003)The Production of Culture Perspective (2004)Nexus Work: Brokerage on Creative Projects (2009)The Structure of Scientific Revolutions (1963)MANAGEMENT FASHION (1996)Capitalism, Socialism and Democracy (1997)The Cultural Economy of Cities (1997)Why the Microbrewery Movement? Organizational Dynamics of Resource Partitioning in the U.S. Brewing Industry (2000)Why 1955? Explaining the advent of rock music (1990)When Market Information Constitutes Fields: Sensemaking of Markets in the Commercial Music Industry (2000)Adolescents' uses of media for self-socialization (1995)Understanding sponsorship effects (2001)The role of music in adolescents' mood regulation (2006)Deconstructing the Diversity Principle (1999)The US Recorded Music Industry: On the Relations between Organization, Location, and Creativity in the Cultural Economy (1999)E-commerce Business Models for the Music Industry (2004)
this work references cited by second hop

References

  • 1972Processing Fads and Fashions: An Organization-Set Analysis of Cultural Industry Systems1,345 cited
  • 1975Cycles in Symbol Production: The Case of Popular Music594 cited
  • 1975Organizational Effectiveness and the Institutional Environment417 cited
  • 1971Entrepreneurship in Organizations: Evidence from the Popular Music Industry361 cited
  • 1992Innovation and Diversity in the Popular Music Industry, 1969 to 1990337 cited
  • 1988Popular Music and Communication.291 cited
  • 1984Ratings and the institutional approach: A third answer to the commodity question122 cited
  • 1976Production Organizations in the Arts85 cited
  • 1982Popular Music: Concentration and Diversity in the Industry, 1974–198084 cited
  • 1992The Implications of Ownership Changes on Concentration and Diversity in the Phonogram Industry52 cited
  • 1985PROGRAMMING DECISION MAKING IN POPULAR MUSIC RADIO44 cited
  • 1975Record Roulette: What Makes It Spin?34 cited

Cited by

  • 2007Competitiveness, Local Production Systems and Global Commodity Chains in the Music Industry: Entering the US Market57 cited
  • 2013New Technologies and the Business of Music: Lessons from the 1980s Home Taping Hearings19 cited
  • 2003

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The computerization of practice in peripheral music communities
3 cited
  • 1998“Here you come again”:1Country music's performance on the pop singles charts from 1955 to 19962 cited