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“The collective circle”: Latino immigrant musicians and politics in Charlotte, North Carolina
16 references·0 citing·34 second hop
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this work references cited by second hop

References

  • 2017Borderlands/La Frontera: The New Mestiza10,735 cited
  • 1964The Making of the English Working Class4,277 cited
  • 2002Migrant “Illegality” and Deportability in Everyday Life3,502 cited
  • 2020The Practice in Everyday Life3,059 cited
  • 1974Social Justice and the City1,929 cited
  • 1973The Fiscal Crisis of the State1,927 cited
  • 2020The Condition of Postmodernity1,837 cited
  • 1988The Mobility of Labor and Capital1,625 cited
  • 2012Reflections on #Occupy Everywhere: Social media, public space, and emerging logics of aggregation985 cited
  • 2005Mexican New York752 cited
  • 1987Anglos and Mexicans in the Making of Texas, 1836-1986510 cited
  • 1995Dancing with the devil: society and cultural poetics in Mexican-American south Texas463 cited
  • 1958"With His Pistol in His Hand"384 cited
  • 1990North from Mexico : the Spanish-speaking people of the United States370 cited
  • 1999Refried Elvis333 cited
  • 2012The Occupy Movement in Žižek's hometown: Direct democracy and a politics of becoming224 cited

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