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This article explores some of the ways in which deindustrialisation and factory closures are figured in contemporary French cultural production. In doing so, it reflects on the visibility and invisibility of industrial workers and their work in representations of the social world. Having noted a significant preoccupation with these issues in French cultural production since the 1990s, the discussion focuses particularly on the closure of the well-known domestic appliance company, Moulinex, in September 2001. It contrasts the dominant media discourse on industrial closures with the literary narrative offered by Franck Magloire (son of a Moulinex worker) in Ouvrière (2003).
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