Marlowe, Shakespeare, and the economy of theatrical experience

Thomas P. Cartelli

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Renaissance Literature and Culture Theatre and Performance Studies Shakespeare, Adaptation, and Literary Criticism

Abstract

This study explores the structure of psychological, social and political exchanges that were negotiated between audiences and plays in Elizabethan public theatres in a period ostensibly dominated by Shakespeare, but strongly rooted in Marlowe.

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2009The three parts of Henry VI 1998The Confusions of Gallathea: John Lyly as Popular Dramatist 2008Time for Marlowe 2021Ovid and the Liberty of Speech in Shakespeare's England 2009Desire and dramatic form in early modern England 1995Rape, rap, rupture, rapture: R‐rated futures on the global market 2003Shakespeare's Anxious Epistemology: Love's Labor's Lost and Marlowe's Doctor Faustus 2005Ruthless Power and Ambivalent Glory:The Rebel-Labourer in2 Henry VI

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