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The new shape of online community: The example of Swedish independent music fandom
1 references·16 citing·56 second hop
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this work references cited by second hop

References

  • 1992Textual poachers : television fans & participatory culture1,999 cited

Cited by

  • 2013Extended Self in a Digital World: Table 1.1,691 cited
  • 2012Building Member Attachment in Online Communities: Applying Theories of Group Identity and Interpersonal Bonds1608 cited
  • 2010Adolescents' sense of community on myspace and facebook: a mixed‐methods approach203 cited
  • 2011Ethnography goes online: towards a user-centred methodology to research interpersonal communication on the internet201 cited
  • 2013Distance as asset? Knowledge collaboration in hybrid virtual communities196 cited
  • 2009Amateur experts166 cited
  • 2012The Open Laboratory: Limits and Possibilities of Using Facebook, Twitter, and YouTube as a Research Data Source140 cited
  • 2017Connecting music education and virtual performance practices from YouTube112 cited
  • 2011CONTEMPORARY RELIGIOUS COMMUNITY AND THE ONLINE CHURCH89 cited
  • 2013Fans or friends?: seeing social media audiences as musicians do88 cited
  • 2019Burning out and turning off: Journalists’ disconnection strategies on social media87 cited
  • 2014New Economy of Fandom85 cited
  • 2011The Swedish Model: Balancing Markets and Gifts in the Music Industry72 cited

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2008
Gay men, Gaydar and the commodification of difference
72 cited
  • 2012Tweeting @feliciaday: Online Social Media, Convergence, and Subcultural Stardom70 cited
  • 2020Staying in, rocking out: Online live music portal shows during the coronavirus pandemic67 cited