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Killing me softly with his song: an initial investigation into the use of popular music as a tool of oppression
1 references·16 citing·44 second hop
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this work references cited by second hop

References

  • 1999Village bells: sound and meaning in the 19th-century French countryside223 cited

Cited by

  • 2014Music and Ethical Responsibility120 cited
  • 2011Individual music listening in workplace settings99 cited
  • 2012Nazi Soundscapes : Sound, Technology and Urban Space in Germany, 1933-194594 cited
  • 2010Politics, Mediation, Social Context, and Public Use67 cited
  • 2022The Power of Music60 cited
  • 2010Silent Alarm: The Mosquito Youth Deterrent and the Politics of Frequency45 cited
  • 2008Alco‐pop? The Use of Popular Music in Glasgow Pubs41 cited
  • 2007Weaponizing Classical Music: Crime Prevention and Symbolic Power in the Age of Repetition37 cited
  • 2015“We Listened to it Because of the Message”: Juvenile RUF Combatants and the Role of Music in the Sierra Leone Civil War19 cited
  • 2011Popular Musicians and Their Songs as Threats to National Security: A World Perspective17 cited
  • 20228. Intellectual Development16 cited
  • 2009‘Gritos de cerveza, cerveza’: el rol de la música y de los DJs en el control del desorden en los clubes nocturnos12 cited
  • 2020Game of Thrones : Music in Complex TV9 cited
  • 202214. Psychological Wellbeing

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7 cited
  • 2019Trans-Actions in Music5 cited
  • 2020Culprit or Accomplice: Observations on the Role and Perception of Music in Violent Contexts in the Sierra Leone War3 cited