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Embodied Form: Art and Life in Virginia Woolf's To the Lighthouse · Study

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ArticleEmbodied Form: Art and Life in Virginia Woolf's To the Lighthouse

Randi Koppen2001

Article2001

Embodied Form: Art and Life in Virginia Woolf's To the Lighthouse

16 citations·0/0 files stored·New Literary History

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Modernist Literature and Criticism American and British Literature Analysis Literary Theory and Cultural Hermeneutics

Abstract

New Literary History - Volume 32, Number 2, Spring 2001

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References

1987The Body in the Mind 1985Moments of Being 1975Moments of Being: Unpublished Autobiographical Writings 1979The Unknown Virginia Woolf 1988The Singing of the Real World: The Philosophy of Virginia Woolf's Fiction 1991The reading of silence: Virginia Woolf in the English tradition 1992Tropes, Parables, Performatives: Essays on Twentieth-Century Literature 1983Figures of autobiography : the language of self-writing in Victorian and modern England

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1998The Resistant Social/Sexual Subjectivity of Hall's Ogilvy and Woolf's Rhodaarticle · 4 shared references 2009Relativity, Quantum Physics, and Consciousness in Virginia Woolf'sTo the Lighthousearticle · 3 shared references 2014Eating Animals and Becoming Meat in Virginia Woolf's The Wavesarticle · 3 shared references 2003Time Passes: Virginia Woolf, Post-Impressionism, and Cambridge Timearticle · 2 shared references 2004Consolation Refused: Virginia Woolf, The Great War, and Modernist Mourningarticle · 2 shared references 2010Religious experience and the modernist novelother · 2 shared references

Details

Year2001

Typearticle

Published2001-03-01

VenueNew Literary History

ISSN-L0028-6087

Languageen

Citations16

Files0 public / 0

ShelfModernist Literature and Criticism

Identifiers

doi10.1353/nlh.2001.0017

openalex_workW2122060652

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