SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Black Women in American Bands and Orchestras
0 references·9 citing·23 second hop
Black Women in American Bands and Orchestras (1982)Black Women in American Bands and Orchest…Big ears: listening for gender in jazz studies (2009)Big ears: listening for gende…The Southern Syncopated Orchestra (2008)The Southern Syncopated Orche…Swing Along (2008)Swing AlongSEPARATED AT “BIRTH”: (2008)SEPARATED AT “BIRTH”:IDENTITY FOR SALE: (2008)IDENTITY FOR SALE:Gender, Jazz, and the Popular Front (2008)Gender, Jazz, and the Popular…Exclusion, Openness, and Utopia In Black Male Performance at the World Stage Jazz Jam Sessions (2008)Exclusion, Openness, and Utop…“The Battle Of the Saxes” (2008)“The Battle Of the Saxes”Old Prejudices, New Perceptions (1992)Old Prejudices, New Perceptio…College Music Symposium (1962)Unsung: A History of Women in American Music (1981)Women and Music in Cross-Cultural Perspective (1989)Blacking Up: The Minstrel show in Nineteenth-Century America (1975)Love and Theft: Blackface Minstrelsy and the American Working Class. (1994)The Norton anthology of African American literature (1997)Kick It (2020)Gender Trouble: Feminism and the Subversion of Identity (1991)The Black Atlantic: Modernity and Double Consciousness (1994)Undoing Gender (2004)Gender trouble: feminism and the subversion of identity (1990)Gender: A Useful Category of Historical Analysis (1986)Gender and the Politics of History (1988)Racial Formation in the United States: From the 1960s to the 1990s (1994)Naked Intimacy: Eroticism, Improvisation, and Gender (2008)New Thing? Gender and Sexuality in the Jazz Composers Guild (2010)The Labors of Michael Jackson: Virtuosity, Deindustrialization, and Dancing Work (2012)Highbrow/lowbrow: the emergence of cultural hierarchy in America (1989)The Cambridge encyclopedia of brass instruments (2018)The Cambridge Encyclopedia of Brass Instruments (2018)IMPROVISING DIGITAL CULTURE (2013)ONE MUSICIAN WRITES ABOUT CREATIVE-MUSIC VENUES IN TORONTO (2013)SUBSIDIZING THE EXPERIMENTAL MUSE: (2013)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2009Big ears: listening for gender in jazz studies47 cited
  • 2008The Southern Syncopated Orchestra37 cited
  • 2008IDENTITY FOR SALE:26 cited
  • 2008Exclusion, Openness, and Utopia In Black Male Performance at the World Stage Jazz Jam Sessions19 cited
  • 2008SEPARATED AT “BIRTH”:18 cited
  • 2008Swing Along16 cited
  • 2008“The Battle Of the Saxes”11 cited
  • 1992Old Prejudices, New Perceptions8 cited
  • 2008Gender, Jazz, and the Popular Front3 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work