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Opera as Experience
11 references·0 citing·26 second hop
Opera as Experience (2009)Opera as ExperienceArt as Experience (1934) (2026)Art as Experience (1934)Opera's Second Death (2013)Opera's Second DeathArs Perfecta: Toward Perfection in Musical Performance? (2006)Ars Perfecta: Toward Perfecti…Britten on music (2003)Britten on musicIn Search of Opera (2002)In Search of OperaAuthenticities: Philosophical Reflections on Musical Performance (1996)Authenticities: Philosophical…Osmin's rage: philosophical reflections on opera, drama, and text (1989)Osmin's rage: philosophical r…The later works, 1925-1953 (1981)The later works, 1925-1953Opera as drama (1956)Opera as dramaThe Musical Experience of Composer, Performer, Listener (1951)The Musical Experience of Com…Logic: The Theory of Inquiry. (1940)Logic: The Theory of Inquiry.“To Play as if from the Soul of the Composer”: The Idea of the Performer in Early Romantic Aesthetics (2005)Choral fantasies: music, festivity, and nationhood in nineteenth-century Germany (2013)HOCKETS BROKEN AND INTEGRATED IN EARLY MENSURAL THEORY AND AN EARLY MOTET (2017)Qualitative Analysis for Social Scientists (1987)Stories of Experience and Narrative Inquiry (1990)Psychological Safety and Learning Behavior in Work Teams (1999)Haydn's Theater Symphonies (1990)Acoustic concomitants of emotional expression in operatic singing: The case of lucia in Ardi gli incensi (1995)Philosophical Perspectives On Music’s Expressiveness (2001)Technological Pedagogical Content Knowledge: A Framework for Teacher Knowledge (2006)The Broadway Canon from Show Boat to West Side Story and the European Operatic Ideal (1993)Bach's Dialogue with Modernity (2010)Wagner's Ring Cycle and the Greeks (2010)A social interaction model of reading∗ (1981)The Aesthetics of Music (1981)Images of Imagination (1990)The Primacy of Science in Modernity, of Technology in Postmodernity, and of Ideology in the History of Technology (2007)Understanding young people's citizenship learning in everyday life (2009)Why ‘What Works’ Still Won’t Work: From Evidence-Based Education to Value-Based Education (2010)The Production of Popular Music as a Confidence Game: The Case of the Chicago Blues (2004)Radical Authentic Leadership: Co-creating the conditions under which all members of the organization can be authentic (2011)HD Opera: A Love/Hate Story (2011)Marian Anderson and “Sonic Blackness” in American Opera (2011)Aesthetic Technologies of Modernity, Subjectivity, and Nature (2015)Fin-de-Siècle Britain: Imperialism and Wagner in the Music of Gustav Holst. (2007)"How A Child's Mind Works": Assessing The "Value" Of Britten's Juvenilia (2008)
this work references cited by second hop

References

  • 2026Art as Experience (1934)5,233 cited
  • 1940Logic: The Theory of Inquiry.2,471 cited
  • 1981The later works, 1925-1953200 cited
  • 1956Opera as drama114 cited
  • 2002In Search of Opera113 cited
  • 1996Authenticities: Philosophical Reflections on Musical Performance111 cited
  • 1951The Musical Experience of Composer, Performer, Listener95 cited
  • 2013Opera's Second Death76 cited
  • 1989Osmin's rage: philosophical reflections on opera, drama, and text30 cited
  • 2003Britten on music10 cited
  • 2006Ars Perfecta: Toward Perfection in Musical Performance?3 cited

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