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In Ghana, regional and local cultural festivals that recently have been cre- ated or modernized provide an interface between local communities and the state. At these festivals, local political elites formulate demands on the government, and conversely, the government attempts to popularize its policies. At the same time, cultural festivals function as public arenas where local cultural identities are articulated within a framework negotiated by the state and the media. The staging of local culture thus always has a national dimension, even when the material is of local origin. Public self-representation at cultural festivals can also be an important factor in internal integration of local societies. The article examines these themes with reference to cultural festivals in northwestern Ghana which the author has
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