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“Singende Seele” or “unsingbar”? Forkel, Ambros, and the Forces behind the Ockeghem Reception during the Late 18th and 19th Centuries
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“Singende Seele” or “unsingbar”? Forkel, Ambros, and the Forces behind the Ockeghem Reception during the Late 18th and 19th Centuries (2006)“Singende Seele” or “unsingbar”? Forkel, …Composing Community in Late Medieval Music: Self-Reference, Pedagogy, and Practice (2019)Composing Community in Late M…Composing Community in Late Medieval Music (2019)Composing Community in Late M…Heilige Trias, Stildualismus, Beethoven: on the limits of nineteenth-century Germanic music historiography (2013)Heilige Trias, Stildualismus,…Designs À La Grecque (2009)Designs À La GrecqueAntithetical Arts (2009)Antithetical ArtsExcavating Chansonniers: Musical Archaeology and the Search for Popular Song (2008)Excavating Chansonniers: Musi…Un chansonnier de Philippe le Bon (1926)The Popular Chanson of the Second Empire: "Music of the Peasants" in France (1980)Metahistory: The Historical Imagination in Nineteenth-Century Europe (1974)Reading for the plot : design and intention in narrative (1984)Die Verwandlung der Welt (2009)The Cambridge History of Music Criticism (2019)Writing about Popular Music (2019)The Beethoven Syndrome (2020)The varieties of religious experience: A study in human nature. (1902)An Inquiry concerning human understanding (1955)The World as Will and Representation. (1959)The Culture of Print (1989)“STUDIED FOR ACTION”: HOW GABRIEL HARVEY READ HIS LIVY (1990)From Maker to Composer: Improvisation and Musical Authorship in the Low Countries, 1450-1500 (1996)The New Grove Dictionary of Music and Musicians (1981)Ritual Theory, Ritual Practice (1993)Publics and Counterpublics (2002)UNCOVERING THE DOUAI FRAGMENT: COMPOSING POLYPHONY AND ENCODING A COMPOSER IN THE LATE FOURTEENTH CENTURY (2021)Anthropology from a Pragmatic Point of View (1974)Music, Modernity, and God (2013)What is Musical Meaning? Theorizing Music as Performative Utterance (2019)Music Transforming Conflict (2020)
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Cited by

  • 2013Heilige Trias, Stildualismus, Beethoven: on the limits of nineteenth-century Germanic music historiography57 cited
  • 2009Antithetical Arts41 cited
  • 2008Excavating Chansonniers: Musical Archaeology and the Search for Popular Song21 cited
  • 2019Composing Community in Late Medieval Music3 cited
  • 2009Designs À La Grecque2 cited
  • 2019Composing Community in Late Medieval Music: Self-Reference, Pedagogy, and Practice2 cited

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