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Cited by

• 2011Microbial attack of archaeological bones versus high concentrations of heavy metals in the burial environment. A case study of animal bones from a mediaeval copper workshop in Paris65 cited
• 2013Rocks as blue, green and black pigments/dyes of glazed pottery and enamelled glass artefacts ? A review59 cited
• 2011Differentiation of archaeological ivory and bone materials by micro-PIXE/PIGE with emphasis on two Upper Palaeolithic key sites: Abri Pataud and Isturitz, France56 cited
• 2006First-time observation of Mastro Giorgio masterpieces by means of non-destructive techniques54 cited
• 2015PIXE analysis of historical paintings: Is the gain worth the risk?51 cited
• 2009Composition of Renaissance Paint Layers: Simultaneous Particle Induced X-ray Emission and Backscattering Spectrometry50 cited
• 2009Combined elemental analysis of ancient glass beads by means of ion beam, portable XRF, and EPMA techniques48 cited
• 2008Silver surface enrichment controlled by simultaneous RBS for reliable PIXE analysis of ancient coins43 cited
• 2011PIXE characterisation of prehistoric pigments from Abri Pataud (Dordogne, France)39 cited
• 2014Recent trends in IBA for cultural heritage studies38 cited
• 2005Monitoring of paintings under exposure to UV light by ATR-FT-IR spectroscopy and multivariate control charts37 cited
• 2012Potential consequences of ion beam analysis on objects from our cultural heritage: An appraisal35 cited