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A sonoridade vocal e a prática coral no Barroco: subsídios para a performance barroca nos dias atuais
5 references·0 citing·11 second hop
A sonoridade vocal e a prática coral no Barroco: subsídios para a performance barroca nos dias atuais (2008)A sonoridade vocal e a prática coral no B…A General History of Music, from the Earliest Ages to the Present Period (2018)A General History of Music, f…Singing in style: a guide to vocal performance practices (2006)Singing in style: a guide to …The Age of the Castrato Voice (1975)The Age of the Castrato VoiceRemarques Curieuses sur l'Art de Bien Chanter (1967)Remarques Curieuses sur l'Art…Observations on the florid song, or, Sentiments on the ancient and modern singers (1905)Observations on the florid so…Musical Creativity in Restoration England (2013)Theorizing Adaptation (2020)Classical and Romantic Performing Practice (2025)A History of Singing (2012)The Cambridge History of Musical Performance (2012)Vocal performance in the seventeenth century (2012)‘Too much music’: the media of opera (2012)The Cambridge Companion to Opera Studies (2012)The operatic event: opera houses and opera audiences (2012)Directions for Improvised Ornamentation in Italian Method Books of the Late Eighteenth Century (1978)The legacy of William Vennard and D. Ralph Appelman and their influence on singing voice pedagogy: reflections after 50 years (1967–2017) (2017)
this work references cited by second hop

References

  • 2018A General History of Music, from the Earliest Ages to the Present Period329 cited
  • 2006Singing in style: a guide to vocal performance practices79 cited
  • 1967Remarques Curieuses sur l'Art de Bien Chanter57 cited
  • 1905Observations on the florid song, or, Sentiments on the ancient and modern singers39 cited
  • 1975The Age of the Castrato Voice17 cited

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