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L'Orfeo del Poliziano : con il testo critico dell'originale e delle successive forme teatrali
0 references·13 citing·15 second hop
L'Orfeo del Poliziano : con il testo critico dell'originale e delle successive forme teatrali (1986)L'Orfeo del Poliziano : con il testo crit…The Cambridge Companion to the Italian Renaissance (2014)The Cambridge Companion to th…Religion (2014)ReligionPhilosophy (2014)PhilosophyArtists’ workshops (2014)Artists’ workshopsArtistic geographies (2014)Artistic geographiesVocal performance in the Renaissance (2012)Vocal performance in the Rena…Vocal performance in the nineteenth century (2012)Vocal performance in the nine…The teaching of performance (2012)The teaching of performanceThe performer and the composer (2012)The performer and the composerPerformance in the ‘long eighteenth century’: an overview (2012)Performance in the ‘long eigh…Instrumental performance in the twentieth century and beyond (2012)Instrumental performance in t…Instrumental performance in the nineteenth century (2012)Instrumental performance in t…Orpheus, Ovid and Opera (1988)Orpheus, Ovid and OperaThe Making of the English Working Class (1964)The New Grove dictionary of music and musicians (2001)Principles of Linguistic Change (2010)Orpheus (1982)The Orphic poems (1983)Ancient Mystery Cults (1987)‘Figura poetica molto vaga’: structure and meaning in Rinuccini'sEuridice (1991)The sources and significance of the Orpheus myth inMusica Enchiriadisand Regino of Prüm'sEpistola de harmonica institutione (1999)The Influence of Ovid in Opera (2014)The Mediterranean and the Mediterranean World in the Age of Philip II (1974)Gender: A Useful Category of Historical Analysis (1986)The Dialogic Imagination. Four Essays by M. M. Bakhtin (1982)Frank O'Hara's Virtuosity (2017)The creative work of large ensembles (2017)Shared musical creativity: teaching composer-performer collaboration (2020)
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Cited by

  • 2014Religion40 cited
  • 2014The Cambridge Companion to the Italian Renaissance21 cited
  • 2014Artistic geographies14 cited
  • 2014Artists’ workshops14 cited
  • 2012The performer and the composer10 cited
  • 1988Orpheus, Ovid and Opera8 cited
  • 2012Instrumental performance in the nineteenth century6 cited
  • 2012Vocal performance in the nineteenth century6 cited
  • 2012Performance in the ‘long eighteenth century’: an overview5 cited
  • 2012Instrumental performance in the twentieth century and beyond5 cited
  • 2012Vocal performance in the Renaissance3 cited
  • 2014Philosophy2 cited
  • 2012The teaching of performance2 cited

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