SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
(Be)Coming Home(r): Nostalgia in Jean-Luc Godard's Contempt
12 references·0 citing·23 second hop
(Be)Coming Home(r): Nostalgia in Jean-Luc Godard's Contempt (2012)(Be)Coming Home(r): Nostalgia in Jean-Luc…Translation and the Classic: Identity as Change in the History of Culture (2008)Translation and the Classic: …Literature through film: realism, magic, and the art of adaptation (2005)Literature through film: real…Bardot and Godard in 1963 (Historicizing the Postmodern Image) (2004)Bardot and Godard in 1963 (Hi…Speaking about Godard (1999)Speaking about GodardTotally, Tenderly, Tragically: Essays and Criticism from a Lifelong Love Affair with the Movies (1998)Totally, Tenderly, Tragically…Le Mépris : Women, Statues, Gods (1998)Le Mépris : Women, Statues, G…A thrice-told tale (1992)A thrice-told taleReflexivity in Film and Literature: From Don Quixote to Jean-Luc Godard (1985)Reflexivity in Film and Liter…Forms of Being: Cinema, Aesthetics, Subjectivity (1985)Forms of Being: Cinema, Aesth…Modern European Filmmakers and the Art of Adaptation (1981)Modern European Filmmakers an…Close-up: A Critical Perspective on Film (1972)Close-up: A Critical Perspect…An Interview with Jean-Luc Godard (1964)An Interview with Jean-Luc Go…In Your Face: Physiognomy, Photography, and the Gnostic Mission of Early Film (1997)Jean-Luc Godard’s Le mépris: Conventional film music in an unconventional guise (2021)On the Relevance of Standpoint Epistemology to the Practice of Journalism: The Case for "Strong Objectivity" (1998)The Passions in Play: Thyestes and the Dynamics of Senecan Drama (2003)Selfies| The Gestural Image: The Selfie, Photography Theory, and Kinesthetic Sociability (2015)Adaptation, Re-contextualisation, and Metaphor: Auteur Directors and the Staging of Greek Tragedy (2014)Heywood’sAgesand Chapman’s Homer: nothing in common? (2016)“The deer hunter”: Rhetoric of the warrior (1980)“Meta-Jeopardy”: The crisis of representation in qualitative metasynthesis (2006)Feminist Research in Higher Education (2011)Reflections on 25 Years of Ethnography in CSCW (2013)Reading Hollywood in/and Spanish Cinema (1997)A Visit to the Museum: Aleksandr Sokurov's Russian Ark and the Framing of the Eternal (2005)Ovid on Screen (2020)Film, geopolitics and the affective logics of intervention (2006)What Does Jamesian Style Want? (2007)Whistle While You Work? Disney Animation, Organizational Readiness and Gendered Subjugation (2016)The Dream of the Nineteenth Century (2002)Indicting Truth: Jean-Luc Godard’s Sympathy for the Devil and 1960s documentary cinema (2013)“Cinematography of Devices”: Harun Farocki’s Eye/Machine Trilogy (2015)Alternative Shakespeares (1987)Adaptation, Translation, Critique (2007)Theorizing Adaptation (2020)
this work references cited by second hop

References

  • 2005Literature through film: realism, magic, and the art of adaptation283 cited
  • 1985Reflexivity in Film and Literature: From Don Quixote to Jean-Luc Godard232 cited
  • 1985Forms of Being: Cinema, Aesthetics, Subjectivity88 cited
  • 1992A thrice-told tale63 cited
  • 1981Modern European Filmmakers and the Art of Adaptation56 cited
  • 2008Translation and the Classic: Identity as Change in the History of Culture35 cited
  • 1999Speaking about Godard30 cited
  • 1998Totally, Tenderly, Tragically: Essays and Criticism from a Lifelong Love Affair with the Movies23 cited
  • 2004Bardot and Godard in 1963 (Historicizing the Postmodern Image)22 cited
  • 1972Close-up: A Critical Perspective on Film9 cited
  • 1964An Interview with Jean-Luc Godard8 cited
  • 1998Le Mépris : Women, Statues, Gods6 cited

Cited by

No citing works inside the corpus for this window.

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work