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This article proposes a systematization of approaches and methodologies for historical research in popular music, with an emphasis on the social history and on the nature and use of sources. Likewise, the article explores different strategies of performative reconstruction of the music of the past, and its use as a source in the social history of popular music.
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Stored only when both papers are in the corpus — 5 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
Imported from OpenAlex (CC0) — nothing here is generated.