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Cited by

• 2004The Cambridge History of British Theatre105 cited
• 2005The Cambridge History of Twentieth-Century English Literature97 cited
• 2007Women's Writing in the British Atlantic World: Memory, Place and History, 1550–170076 cited
• 2006The Cultural Geographies of Early Modern Women’s Writing: Journeys Across Spaces and Times64 cited
• 2001Self and Nation: Issues of Identity in Modern Scottish Drama by Women48 cited
• 2001Class and Poetic Communities: The Works of Ellen Johnston, "The Factory Girl"47 cited
• 2013Romanticism and childhood: the infantilization of British literary culture40 cited
• 2008“The Finest Ballads”: Women's Oral Traditions in Eighteenth-Century Scotland26 cited
• 2010Composing the Self20 cited
• 2003The poems of Jean Adam, 1704-6518 cited
• 2005Literature and cinema18 cited
• 2015The Cambridge Companion to Women's Writing in Britain, 1660–17898 cited
• 2012“Thair is mair constancie in o[u]r sex / Then euer ama[n]g men hes bein”: The Metaphysics of Authorship in the Maitland Quarto Manuscript (ca. 1586)6 cited
• 2004British theatre, 1895–1946: art, entertainment, audiences – an introduction4 cited