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Cited by

• 2000Evolutionary Models of Music: From Sexual Selection to Group Selection178 cited
• 1914Experimental analysis of the writing movement.137 cited
• 2000The Quest for the Origins of Music in Germany Circa 1900133 cited
• 2012Vocal performance in the seventeenth century56 cited
• 2012The Cambridge History of Musical Performance46 cited
• 2010Kapitel I Arbeit als Grundlage menschlicher Existenz: Was ist Arbeit? Zum Problem eines allgemeinen Arbeitsbegriffs35 cited
• 2012The performer and the composer10 cited
• 1976Hornbostel Opera Omnia9 cited
• 2012Instrumental performance in the nineteenth century6 cited
• 2012Vocal performance in the nineteenth century6 cited
• 2010Semantic palaeontology and the passage from myth to science and poetry: the work of Izrail′ Frank-Kamenetskij (1880–1937)5 cited
• 2012Performance in the ‘long eighteenth century’: an overview5 cited
• 2012Instrumental performance in the twentieth century and beyond5 cited
• 1970Psychoanalytic Distinction Between Myth and Mythopoesis5 cited
• 2012Vocal performance in the Renaissance