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Cited by

• 1914Experimental analysis of the writing movement.137 cited
• 2010Kapitel I Arbeit als Grundlage menschlicher Existenz: Was ist Arbeit? Zum Problem eines allgemeinen Arbeitsbegriffs35 cited
• 2012The performer and the composer10 cited
• 1976Hornbostel Opera Omnia9 cited
• 2012Instrumental performance in the nineteenth century6 cited
• 2012Vocal performance in the nineteenth century6 cited
• 2012Performance in the ‘long eighteenth century’: an overview5 cited
• 2012Instrumental performance in the twentieth century and beyond5 cited
• 1970Psychoanalytic Distinction Between Myth and Mythopoesis5 cited
• 2012Vocal performance in the Renaissance3 cited
• 2012The teaching of performance2 cited
• 2012Performance in the Renaissance: an overview2 cited
• 2012Vocal performance in the twentieth century and beyond2 cited
• 2012Instrumental performance in the ‘long eighteenth century’2 cited
• 2012Musical performance in the twentieth century and beyond: an overview2 cited