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Gender Imaginations in Crouching Tiger, Hidden Dragon and the Wuxia World · Study

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ArticleGender Imaginations in Crouching Tiger, Hidden Dragon and the Wuxia World

Rong Cai2005

Article2005

Gender Imaginations in Crouching Tiger, Hidden Dragon and the Wuxia World

28 citations·0/0 files stored·positions asia critique

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Cinema History and Criticism Gender and Feminist Studies Cinema and Media Studies

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References

1975Visual Pleasure and Narrative Cinema 1992Black looks: race and representation 2000Globalization: Social Theory and Global Culture 1997Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema 1997Looking for the Other: Feminism, Film and the Imperial Gaze 1995Spectacular bodies: gender, genre and the action cinema 2002Theorising Chinese Masculinity: Society and Gender in China 1998Global Local: Cultural Production and the Transnational Imaginary

Cited by

2007The Chinese Exotic 2014TranslatingKung Fu Panda's kung fu-related elements: cultural representation in dubbing and subtitling 2022Ecofeminism and daoism: the feminist analysis of female warrior of Nie Yinniang inThe Assassin(2015)2015Circuitous Action: Revenge Cinema

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2007The Chinese Exoticbook · 8 shared references 2012Feminist Film Studiesbook · 4 shared references 2007Visual "Drive" and Cinematic Narrative: Reading Gaze Theory in Lacan, Hitchcock, and Mulveyarticle · 4 shared references 2004The Global Return of the Wu Xia Pian (Chinese Sword-Fighting Movie): Ang Lee's Crouching Tiger, Hidden Dragonarticle · 4 shared references 2004Global Feminisms and the State of Feminist Film Theoryarticle · 4 shared references 2007‘Woman’, fetish, particularism: Articulating Chinese cinema with a cross-cultural problematicarticle · 4 shared references

Details

Year2005

Typearticle

Published2005-05-01

Venuepositions asia critique

ISSN-L1067-9847

Languageen

Citations28

Files0 public / 0

ShelfCinema History and Criticism

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doi10.1215/10679847-13-2-441

openalex_workW2127115228

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