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Ida Rubinstein (1885–1960): A Theatrical Life, by Michael de Cossart. Liverpool Historical Studies, no. 2. Liverpool: Liverpool University Press, 1987. 223 pp., illustrations. £11.50.
1 references·4 citing·12 second hop
Ida Rubinstein (1885–1960): A Theatrical Life, by Michael de Cossart. Liverpool Historical Studies, no. 2. Liverpool: Liverpool University Press, 1987. 223 pp., illustrations. £11.50. (1989)Ida Rubinstein (1885–1960): A Theatrical …Reminiscences of the Russian Ballet (1977)Reminiscences of the Russian …Three Colors of the Nail: The Aesthetics of Manicure in Late Imperial and Soviet Russia (2018)Three Colors of the Nail: The…Ida Rubinstein: Dancing Decadence and “The Art of the Beautiful Pose” (2014)Ida Rubinstein: Dancing Decad…Ida Rubinstein: Dancing Decadence and "The Art of the Beautiful Pose" (2014)Ida Rubinstein: Dancing Decad…"Must we dance naked?": art, beauty, and law in Munich and Paris, 1911-1913. (2011)"Must we dance naked?": art, …Colonialism and Culture (1992)Gendering Orientalism: race, femininity and representation (1996)Orientalism: history, theory and the arts (1996)Textiles in Motion (2024)Idols of Perversity: Fantasies of Feminine Evil in Fin-de-Siecle Culture (1989)The Jew's Body (1991)Elaine Showalter. Sexual Anarchy: Gender and Culture at the Fin de Siède. New York: Viking. 1990. Pp. xii, 242. $19.95 (1992)BOOK REVIEW: Kathy Peiss. HOPE IN A JAR: THE MAKING OF AMERICA'S BEAUTY CULTURE New York: Metropolitan Books, 1998. (1999)Hope in a Jar (2011)The Legacy of Ida Rubinstein: Mata Hari of the Ballets Russes (1985)Paris: Conflicting Notions of Progress (1991)Ballets Russes and Blackface (2020)
this work references cited by second hop

References

  • 1977Reminiscences of the Russian Ballet106 cited

Cited by

  • 2014Ida Rubinstein: Dancing Decadence and “The Art of the Beautiful Pose”78 cited
  • 2011"Must we dance naked?": art, beauty, and law in Munich and Paris, 1911-1913.8 cited
  • 2014Ida Rubinstein: Dancing Decadence and "The Art of the Beautiful Pose"2 cited
  • 2018Three Colors of the Nail: The Aesthetics of Manicure in Late Imperial and Soviet Russia1 cited

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