Articlebronze2004

Editor's Introduction: I. Writing Modern Art and Science – An Overview; II. Cubism, Futurism, and Ether Physics in the Early Twentieth Century

10 citations0/0 files storedScience in Context

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Art, Technology, and Culture Visual Culture and Art Theory Modernist Literature and Criticism

Abstract

This issue of Science in Context presents a sampling of current work by art historians examining modern artists' engagement with science as well as the relationship of photography to both science and art. The essays' topics span the mid-to-later nineteenth century to the 1960s and, thus, in a series of case studies provide an introduction to aspects of artistic modernism. Indeed, it is impossible to understand fully many of the radical innovations of modern art without some knowledge of an artist's cultural context, and developments in science have often played a critical role in defining that milieu. Collected together, these essays also represent methodological models of historical work on art and science that serve as useful examples in this developing field.

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References

1963The Structure of Scientific Revolutions 1963The Structure of Scientific Revolutions 1964The Structure of Scientific Revolutions.1916THE ELEMENTARY FORMS OF RELIGIOUS LIFE 2019On Growth and Form, 1917 1916The Elementary Forms of Religious Life 1991Techniques of the observer: on vision and modernity in the nineteenth century 1998Image and logic: a material culture of microphysics

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