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Language in Action: Funk Music as the Critical Voice of a Post–Civil Rights Movement Counterculture
16 references·0 citing·28 second hop
Language in Action: Funk Music as the Critical Voice of a Post–Civil Rights Movement Counterculture (2010)Language in Action: Funk Music as the Cri…Can't Stop Won't Stop: A History of the Hip-Hop Generation (2005)Can't Stop Won't Stop: A Hist…Methods of Critical Discourse Analysis (2001)Methods of Critical Discourse…What the music said: black popular music and black public culture (1999)What the music said: black po…An Introduction to Discourse Analysis: Theory and Method (1999)An Introduction to Discourse …The Power of Black Music: Interpreting its History from Africa to the United States. (1997)The Power of Black Music: Int…The evolution of a revolution: Stokely Carmichael and the rhetoric of black power (1997)The evolution of a revolution…Funk: The Music, The People, and The Rhythm of The One (1996)Funk: The Music, The People, …The power of black music: interpreting its history from Africa to the United States (1995)The power of black music: int…Funk music as genre: Black aesthetics, apocalyptic thinking and urban protest in post-1965 African-American pop (1994)Funk music as genre: Black ae…A functional approach to the rhetoric of social movements (1980)A functional approach to the …Sing a Song of Social Significance. (1976)Sing a Song of Social Signifi…Sing a Song of Social Significance (1973)Sing a Song of Social Signifi…The Ego-Function of the Rhetoric of Protest (1971)The Ego-Function of the Rheto…The rhetoric of black power: A moral demand? (1968)The rhetoric of black power: …Blues People; Negro Music in White America (1965)Blues People; Negro Music in …Blues People: Negro Music in White America (1963)Blues People: Negro Music in …Discourse and manipulation (2006)A useful methodological synergy? Combining critical discourse analysis and corpus linguistics to examine discourses of refugees and asylum seekers in the UK press (2008)Critical Discourse Analysis (2015)Chapter 3 : Identity as an Analytic Lens for Research in Education (2000)Choose Your Method: A Comparison of Phenomenology, Discourse Analysis, and Grounded Theory (2007)Understanding the science experiences of successful women of color: Science identity as an analytic lens (2007)Classification as Culture: Types and Trajectories of Music Genres (2008)Internet banging: New trends in social media, gang violence, masculinity and hip hop (2013)What Are We Seeking to Sustain Through Culturally Sustaining Pedagogy? A Loving Critique Forward (2014)The Problem with White Hipness: Race, Gender, and Cultural Conceptions in Jazz Historical Discourse (reprint) (1995)Culture and Competition: Homophily and Distancing Explanations for Cultural Niches (2003)Black Twitter? Racial Hashtags, Networks and Contagion (2013)Riffs, Repetition, and Theories of Globalization (1999)The Rise of a Jazz Art World (2002)Race, Blacksound, and the (Re)Making of Musicological Discourse (2019)Just a Girl? Rock Music, Feminism, and the Cultural Construction of Female Youth (1998)Literacy and literacies texts, power, and identity (2003)Loving Music Till It Hurts (2019)Vilification and social movements: A case study of pro‐life and pro‐choice rhetoric (1989)The rhetorical functions of consciousness‐raising in third wave feminism (2004)Counter-Public Enclaves and Understanding the Function of Rhetoric in Social Movement Coalition-Building (2011)The Cambridge History of American Music (1998)Specters of Democracy (2011)THE MUSIC BUSINESS AND RAP: BETWEEN THE STREET AND THE EXECUTIVE SUITE (1999)Critical Hip Hop Pedagogy as a Form of Liberatory Praxis (2009)Banding together: how communities create genres in popular music (2012)“White Night”: Gentrification, Racial Exclusion, and Perceptions and Participation in the Arts (2011)Playing to the Crowd (2019)
this work references cited by second hop

References

  • 1999An Introduction to Discourse Analysis: Theory and Method6,084 cited
  • 2001Methods of Critical Discourse Analysis4,708 cited
  • 2005Can't Stop Won't Stop: A History of the Hip-Hop Generation1,151 cited
  • 1963Blues People: Negro Music in White America879 cited
  • 1995The power of black music: interpreting its history from Africa to the United States388 cited
  • 1997The Power of Black Music: Interpreting its History from Africa to the United States.330 cited
  • 1999What the music said: black popular music and black public culture309 cited
  • 1965Blues People; Negro Music in White America272 cited
  • 1971The Ego-Function of the Rhetoric of Protest126 cited
  • 1996Funk: The Music, The People, and The Rhythm of The One124 cited
  • 1976Sing a Song of Social Significance.78 cited
  • 1973Sing a Song of Social Significance70 cited
  • 1980A functional approach to the rhetoric of social movements55 cited
  • 1968The rhetoric of black power: A moral demand?55 cited
  • 1997The evolution of a revolution: Stokely Carmichael and the rhetoric of black power38 cited
  • 1994Funk music as genre: Black aesthetics, apocalyptic thinking and urban protest in post-1965 African-American pop

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