This catalogue is largely based on the contents of ten map art exhibitions, as well as on a handful of books that deal with a significant number of map art pieces.Though it is without question the most extensive catalogue of map artists so far published, it makes no pretense of being complete.Its role is to document the fact that a lot of artists work with maps, and to provide a foundation for the work that remains to be done.The artists have been arranged alphabetically.Where we have been able to determine these, we have provided, in parentheses, where the artist lives/works now or predominantly (in any event, not the place of birth or nationality), followed by the date of birth (and where appropriate, death).There is a brief description of artist's work, followed by a key to the sources.These are listed at the end of the catalogue.Only the lightest culling has been attempted, but artists working today with but a single known piece of map art in their oeuvre have been less likely to be included than those with many or than those artists of the relative past whose work may have influenced the work of those active today.As a work in progress, all additions, corrections, emendations, and suggestions are welcome, and may be addressed to either of the editors or any of the authors.1) Australian Aboriginal paintings -(Australia, …) raise all kinds of questions: are they maps?are they art?They are unquestionably beautiful artifacts, are currently sold in art galleries, and are widely regarded as maps.Individual map artists such as Polly Napangardi -who painted Wild Orange and Bilby Dreaming (1987) -or Barbara Weir -who painted My Mother's Country (1997) -undoubtedly deserve individual artist entries.2) Walter Anderson -(Mississippi, 1903-1965) painted at least the Map of Horn Island (c.1960): 18 3) Art and Language [Terry Atkinson/ Michael Baldwin/ others] -(Britain, 1939-, 1945-), a widely influential British Conceptual Art collaborative, in 1967 made the Map to not indicate …, where the ellipsis here indicates a long list of places not shown on the lithograph where, however, you do find Iowa and Kentucky.Art and Language described two other maps: Map of a thirty-six square mile surface area of the Pacific Ocean west of Oahu, and Map of itself.All three maps were apparently made by Atkinson and Baldwin, but prior to the founding of Art and Language: 6, 10, 11, 17 4) Lisa Austin -(Maryland, … ) exploits "the poetry" of maps in installations such as My Maryland: 9 5) Mojdeh Baratloo and Clifton J. Balch -(…, …) produced ANGST: Cartography, initially in 1982 (for a group exhibition, The Monument Redefined), in 1988 (for an exhibition at New York's at P.S. 1), and in 1989 (as a book published by SITES/Lumen, New York); with photos, images of Gowanus Canal drawn from Sanborn maps, and a text from Italo Calvino's Invisible Cities 6) John Baldessari -(Los Angeles, 1931-) a Conceptual/book artist since the mid-1960s, in The California Map Project, Part 1: CALI-FORNIA ( 1969), Baldessari constructed the letters in the state's name on the ground as close as possible to the site the letters occupied on a National Geographic map, "to see the landscape as a map": 10, 17 7) Barford/Carter/Klauser - (London, 1977(London, -, 1979(London, -, 1977-) -) are Barnaby Barford, Kirsty Carter, and Andre Klauser, made bar accessories that included, in an interesting projection, a battleship game-map napkin, which is about "playing battleships in a smart cocktail bar," in, needless to add, London: 16 8) Lane Barren -(LA, 1950-) manipulates aerial photographs to