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Pastoral and neoclassicism: A reinterpretation of Auden's and Stravinsky's Rake's Progress
16 references·0 citing·28 second hop
Pastoral and neoclassicism: A reinterpretation of Auden's and Stravinsky's Rake's Progress (1993)Pastoral and neoclassicism: A reinterpret…Music since the First World War (1994)Music since the First World W…The New Grove dictionary of opera (1993)The New Grove dictionary of o…Towards a New Poetics of Musical Influence (1991)Towards a New Poetics of Musi…Debussy and the Octatonic (1991)Debussy and the OctatonicRemaking the past: musical modernism and the influence of the tonal tradition (1990)Remaking the past: musical mo…Remaking the Past (1990)Remaking the PastAgon: Towards a Theory of Revisionism (1986)Agon: Towards a Theory of Rev…The Music of Igor Stravinsky (1983)The Music of Igor StravinskyHow We Got into Analysis, and How to Get out (1980)How We Got into Analysis, and…Figures of capable imagination (1976)Figures of capable imaginationA Map of Misreading (1976)A Map of MisreadingThe Anxiety of Influence: A Theory of Poetry (1974)The Anxiety of Influence: A T…Perspectives on Schoenberg and Stravinsky (1969)Perspectives on Schoenberg an…The Dyer's Hand and Other Essays (1964)The Dyer's Hand and Other Ess…Problems of Pitch Organization in Stravinsky (1963)Problems of Pitch Organizatio…Opera as drama (1956)Opera as dramaReligion and literature (2005)The Cambridge History of English Literature, 1660–1780 (2005)Classical and Romantic Performing Practice (2025)The education of journalists (2001)Anger, Revolution, and Romanticism (2005)Deadly Vices (2006)Law: A Map of Misreading. Toward a Postmodern Conception of Law (1987)The Construction of Literary Understanding by First and Second Graders in Oral Response to Picture Storybook Read‐Alouds (2000)Translating for Children (2002)Business, Ethics and Society: A Critical Agenda (1992)Marketing and Literature: The Anxiety of Academic Influence (1999)The Cambridge Introduction to Literature and Psychoanalysis (2014)Plagiarisms, Authorships, and the Academic Death Penalty (1995)Methodology of the Oppressed (2010)Show sold separately: promos, spoilers, and other media paratexts (2010)Analyzing Popular Music (2003)From lyric to anti-lyric: analyzing the words in pop song (2003)Popular music analysis: ten apothegms and four instances (2003)The Broadway Canon from Show Boat to West Side Story and the European Operatic Ideal (1993)Analyzing Music under the New Musicological Regime (1997)Innovation and the avant-garde, 1900–20 (2004)Wagner's Ring Cycle and the Greeks (2010)When Opera Meets Film (2010)Stravinsky's "Special Sense": The Rhetorical Use of Tonality in "The Rake's Progress" (1997)Stravinsky and the Octatonic: A Reconsideration (2002)American Stravinsky : The Style and Aesthetics of Copland's New American Music, the Early Works, 1921-1938 (2012)Extraordinary Measures (2011)The Cambridge History of Modernism (2017)
this work references cited by second hop

References

  • 1974The Anxiety of Influence: A Theory of Poetry2,673 cited
  • 1964The Dyer's Hand and Other Essays490 cited
  • 1993The New Grove dictionary of opera371 cited
  • 1976A Map of Misreading335 cited
  • 1980How We Got into Analysis, and How to Get out257 cited
  • 1986Agon: Towards a Theory of Revisionism211 cited
  • 1990Remaking the Past187 cited
  • 1990Remaking the past: musical modernism and the influence of the tonal tradition186 cited
  • 1963Problems of Pitch Organization in Stravinsky127 cited
  • 1956Opera as drama113 cited
  • 1991Towards a New Poetics of Musical Influence108 cited
  • 1976Figures of capable imagination106 cited
  • 1983The Music of Igor Stravinsky82 cited
  • 1969Perspectives on Schoenberg and Stravinsky75 cited
  • 1994Music since the First World War65 cited
  • 1991Debussy and the Octatonic52 cited

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