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Performing Spaces: Street Music and Public Territory
3 references·16 citing·41 second hop
Performing Spaces: Street Music and Public Territory (2007)Performing Spaces: Street Music and Publi…Liminal Acts: A Critical Overview of Contemporary Performance and Theory (1999)Liminal Acts: A Critical Over…Tragedy in Athens: performance space and theatrical meaning (1998)Tragedy in Athens: performanc…:Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England (1989):Shakespearean Negotiations: …‘If you play some good music, people immediately understand it’: Audience response to busking (2023)‘If you play some good music,…The Artistic Work of Street Musicians in Barcelona and Rio De Janeiro: Interstices of Work and Leisure (2022)The Artistic Work of Street M…The Ballad-Singer in Georgian and Victorian London (2021)The Ballad-Singer in Georgian…Differentiating busking from begging: A psychological approach (2021)Differentiating busking from …The Voices of Berlin: Busking in a 'Creative' City (2020)The Voices of Berlin: Busking…The spatial value of live music: Performing, (re)developing and narrating urban spaces (2020)The spatial value of live mus…About the Carnival Features of Street Music: Festivity and Work (2020)About the Carnival Features o…Street music, governance, and cultural policy in San Cristóbal de Las Casas (2019)Street music, governance, and…Chinese Street Pop and Performing with the Urban Environment (2019)Chinese Street Pop and Perfor…Entre regulações e táticas: músicas nas ruas da cidade do Rio de Janeiro. (2018)Entre regulações e táticas: m…Improvised Performances: Urban Ethnography and the Creative Tactics of Montreal’s Metro Buskers (2017)Improvised Performances: Urba…The ethical potential of sound in public space: Migrant pan flute music and its potential to create moments of conviviality in a ‘failed’ public square (2016)The ethical potential of soun…Activist musicianship, sound, the ‘Other Campaign’ and the limits of public space in Mexico City (2016)Activist musicianship, sound,…Genre and the cultural politics of territory: The live experience of free improvisation (2012)Genre and the cultural politi…City Tour Guides: Urban Alchemists at Work (2010)City Tour Guides: Urban Alche…“Playing for Change”: Peace, Universality, and the Street Performer (2010)“Playing for Change”: Peace, …Noise... The Political Economy of Music (1988)The search for the perfect language (1996)Dialectic of Enlightenment (2020)Asylums: Essays on the Social Situation of Mental Patients and Other Inmates. (1962)Social Space and Symbolic Power (1989)5. The Practice of Everyday Life (2000)Tourismus auf den Spuren der Schatten des Windes: Vom Zusammenspiel medialer Bedeutungskonstruktion und performativer touristischer Praxen (2016)Modeling guided tour participants’ experiences (2018)Towards a Theory of the Racialization of Space (2022)Behavior in Public Places: Notes on the Social Organization of Gatherings. (1964)Frame Analysis: An Essay on the Organization of Experience. (1975)Making space: an exchange about women and the performance of free noise (2015)Collective Free Music Improvisation as a Sociocommunicative Endeavor: A Literature Review (2018)The Absent Presence of Progressive Rock in the British Music Press, 1968-1974 (2019)Relations in Public. Microstudies of the Public Order (2022)Orality and Literacy (1982)Music in Everyday Life (2000)Parables for the virtual: movement, affect, sensation (2002)569. A criação de geoetnografias como metodologia para o estudo dos ritmos urbanos. Uma aplicação no Chiado, Lisboa (2017)This City Needs Street Music: Practices, Experiences, and Meanings in the Busking Scene of Hong Kong (2023)Progress of international music geography research and its implication for China (2024)The Gutenberg Galaxy: The Making of Typographic Man (1963)Excitable Speech: A Politics of the Performative (1997)Speaking into the Air (1999)The Hidden Musicians: Music-Making in an English Town (1989)Cultural tourism: global and local perspectives (2007)Analysis in qualitative research (2010)Valuing value in urban live music ecologies: negotiating the impact of live music in the Netherlands (2021)Live music and the New Urban Agenda: Social, economic, environmental and spatial sustainability in live music ecologies (2022)Platform-mediated live musical performance in China: New social practices and urban cultural spaces (2023)Noise: The Political Economy of Music (1986)Cities of the dead: circum-Atlantic performance (1996)Choral Identity in Greek Tragedy (2003)Rural Athens Under the Democracy (2004)Costume in the Comedies of Aristophanes (2015)The New Sociology of Knowledge (1994)Literature, Nationalism, and Memory in Early Modern England and Wales (2004)Methodology of the Oppressed (2010)Little War Machines: Posthuman Pedagogy and its Media (2009)Spaces of Play: The Spatial Dimensions of Underground Club Culture and Locating the Subjunctive (2012)Politeness, Impoliteness and Ritual: Maintaining the Moral Order in Interpersonal Interaction (2017)
this work references cited by second hop

References

  • 1989:Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England504 cited
  • 1998Tragedy in Athens: performance space and theatrical meaning137 cited
  • 1999Liminal Acts: A Critical Overview of Contemporary Performance and Theory91 cited

Cited by

  • 2016The ethical potential of sound in public space: Migrant pan flute music and its potential to create moments of conviviality in a ‘failed’ public square47 cited
  • 2010City Tour Guides: Urban Alchemists at Work29 cited
  • 2020The spatial value of live music: Performing, (re)developing and narrating urban spaces26 cited
  • 2010“Playing for Change”: Peace, Universality, and the Street Performer22 cited
  • 2021The Ballad-Singer in Georgian and Victorian London22 cited
  • 2016Activist musicianship, sound, the ‘Other Campaign’ and the limits of public space in Mexico City13 cited
  • 2012Genre and the cultural politics of territory: The live experience of free improvisation11 cited
  • 2021Differentiating busking from begging: A psychological approach8 cited
  • 2022The Artistic Work of Street Musicians in Barcelona and Rio De Janeiro: Interstices of Work and Leisure7 cited
  • 2017Improvised Performances: Urban Ethnography and the Creative Tactics of Montreal’s Metro Buskers6 cited
  • 2020The Voices of Berlin: Busking in a 'Creative' City

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6 cited
  • 2019Street music, governance, and cultural policy in San Cristóbal de Las Casas5 cited
  • 2018Entre regulações e táticas: músicas nas ruas da cidade do Rio de Janeiro.5 cited
  • 2023‘If you play some good music, people immediately understand it’: Audience response to busking3 cited
  • 2019Chinese Street Pop and Performing with the Urban Environment3 cited
  • 2020About the Carnival Features of Street Music: Festivity and Work2 cited