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Only connect: art and the spectator in the Italian Renaissance
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  • 2002Innovations in Information Technology: Insights from Italian Renaissance Art56 cited
  • 2014Angels and the Order of Heaven in Medieval and Renaissance Italy25 cited
  • 1998As in Ovid, So in Renaissance Art25 cited
  • 2018Vasari's Words: The 'Lives of the Artists' as a History of Ideas in the Italian Renaissance18 cited
  • 2019Maarten Van Heemskerck's Rome: Antiquity, Memory, and the Cult of Ruins17 cited
  • 2017The Architecture of the Christian Holy Land: Reception from Late Antiquity through the Renaissance16 cited
  • 2013Cracking the Mysteries of “China”: China(ware) in the Early Modern Imagination13 cited
  • 2018Gendered Temporalities in the Early Modern World12 cited
  • 2018Frans Floris (1519/20–1570): Imagining a Northern Renaissance10 cited
  • 2010Staging Privacy: Art and Architecture of the Palazzo Medici9 cited
  • 1997Art and Appropriability in Renaissance Italy and The Netherlands in the Seventeenth Century: The Role of the Academy7 cited
  • 2017La théorie de la musique6 cited
  • 2015Works of Art That Refuse to Behave: Agency, Excess, and Material Presence in Canova and Manet6 cited
  • 1999Human Bodies in Chinese and European Painting5 cited

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  • 2006Penelope’s Web: Francesco Primaticcio’s Epic Revision at Fontainebleau3 cited
  • 2006Penelope's Web:3 cited