One of the crucial ways in which prosodic structure governs the distribution of segments is in terms of sonority. By taking into account what is known′ as the sonority of segments, their arrangement within the syllable follows a clear pattern: the most sonorous segment occupies the peak position, while the less sonorous ones occur towards the margins, as observed in a wide range of literature (Jespersen 1904; Saussure 1916; Zwicky 1972; Hooper 1976; Kiparsky 1979, 1981; Lowenstamm 1981; Steriade 1982; Selkirk 1984; Clements 1990). This specific arrangement of segments within the syllable has been attributed in the previous literature to the principle of sonority sequencing, which relegates segments low in sonority towards syllable margins (see Hooper 1976; Kiparsky 1979, 1981; Steriade 1982; Selkirk 1984; Levin 1985; Clements 1990).
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