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Smooth jazz: a case study in the relationships between commercial radio formats, audience research and music production
16 references·3 citing·37 second hop
Smooth jazz: a case study in the relationships between commercial radio formats, audience research and music production (2010)Smooth jazz: a case study in the relation…Is jazz popular music? (2007)Is jazz popular music?Is Jazz Dead?: Or Has It Moved to a New Address (2005)Is Jazz Dead?: Or Has It Move…Long Play: Adult-Oriented Popular Music and the Temporal Logics of the Post-War Sound Recording Industry in the USA (2004)Long Play: Adult-Oriented Pop…Programming philosophies and the rationalization of music radio (2001)Programming philosophies and …The History of Jazz (1997)The History of JazzPerforming rites: on the value of popular music (1997)Performing rites: on the valu…Performing Rites (1996)Performing RitesHole in Our Soul: The Loss of Beauty and Meaning in American Popular Music (1996)Hole in Our Soul: The Loss of…Plugging and programming: pop radio and record promotion in Britain and the United States (1993)Plugging and programming: pop…The culture industry : selected essays on mass culture (1991)The culture industry : select…Radio space and industrial time: music formats, local narratives and technological mediation (1990)Radio space and industrial ti…Programming music: radio as mediator (1986)Programming music: radio as m…Jazz: America's Classical Music (1986)Jazz: America's Classical Mus…Jazz: America's Classical Music (1984)Jazz: America's Classical Mus…The Jazz Tradition (1970)The Jazz TraditionOn Popular Music (1941)On Popular MusicTurn On, Tune In, Drift Off (2022)Turn On, Tune In, Drift OffAdvantages of implementing mediamorphosis in supporting Using-ethnic programs at Radio Sritanjung FM Banyuwangi (2021)Advantages of implementing me…The shifting role of the listeners in the mediamorphosis process of culture radio: A case study of Jodhipati 106.1 FM (2019)The shifting role of the list…Understanding Media (1997)Radio Space and Industrial Time: The Case of Music Formats (2003)Music and Marketing (2010)Attached by the Product: A Socio-Material Direction in the Sociology of Art (2012)Processing Fads and Fashions: An Organization-Set Analysis of Cultural Industry Systems (1972)Culture in Action: Symbols and Strategies (1986)Producing Pop: Culture and Conflict in the Popular Music Industry (1992)“Will This Record Work for Us?”: Managing Music Formats in Commercial Radio (2002)Predicting cultural output diversity in the radio industry, 1989–2002 (2004)On Automation in Media Industries: Integrating Algorithmic Media Production into Media Industries Scholarship (2014)The sounds of commerce: marketing popular film music (1999)Lost in the Shuffle: Technology, History, and the Idea of Musical Randomness (2014)Distinction: A Social Critique of the Judgement of Taste* (2018)From creator to data: the post-record music industry and the digital conglomerates (2018)SoundCloud and Bandcamp as Alternative Music Platforms (2019)Image-Music-Text (1977)Spatial Divisions of Labor: Social Structures and the Geography of Production (1985)Noise: The Political Economy of Music (1986)A sense of space: Virtual reality, authenticity and the aural (1993)And the hits just keep on coming: Music programming standardization in commercial radio (2000)Radio Fields: Anthropology and Wireless Sound in the 21st Century (2012)The Cultural Economy of Cities (1997)Problems in comparative research: The example of omnivorousness (2005)Creative Cities, Creative Spaces and Urban Policy (2009)Freaks, gold diggers, divas, and dykes: The sociohistorical development of adolescent African American women’s sexual scripts (2003)Classification as Culture: Types and Trajectories of Music Genres (2008)MEDIA AND THE SOCIAL CONSTRUCTION OF REALITY (1984)Producing Artistic Value: The Case of Rock Music (1994)Insect Media: An Archaeology of Animals and Technology (2010)Communicative Pressure and the Evolution of Musical Styles (2004)Gunther Schuller and the Challenge of Sonny Rollins: (2014)Making Light Haydn, Musical Camp, and the Long Shadow of German Idealism (2018)Management Paradoxes: A Relational View (2002)“Fun, Yes, but Music?” Steve Reich and the San Francisco Bay Area's Cultural Nexus, 1962–65 (2012)On the Usefulness of “Value” in the Definition of Creativity (2015)The Production of Culture Perspective (2004)In Search of Authenticity* (2005)
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References

  • 1991The culture industry : selected essays on mass culture1,916 cited
  • 1997Performing rites: on the value of popular music1,310 cited
  • 1996Performing Rites1,123 cited
  • 1941On Popular Music400 cited
  • 1986Jazz: America's Classical Music89 cited
  • 1997The History of Jazz87 cited
  • 2004Long Play: Adult-Oriented Popular Music and the Temporal Logics of the Post-War Sound Recording Industry in the USA80 cited
  • 1990Radio space and industrial time: music formats, local narratives and technological mediation67 cited
  • 1986Programming music: radio as mediator61 cited
  • 2001Programming philosophies and the rationalization of music radio53 cited
  • 2005Is Jazz Dead?: Or Has It Moved to a New Address50 cited
  • 1984Jazz: America's Classical Music50 cited
  • 1970The Jazz Tradition45 cited
  • 1993Plugging and programming: pop radio and record promotion in Britain and the United States36 cited
  • 1996Hole in Our Soul: The Loss of Beauty and Meaning in American Popular Music25 cited
  • 2007Is jazz popular music?25 cited

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Cited by

  • 2019The shifting role of the listeners in the mediamorphosis process of culture radio: A case study of Jodhipati 106.1 FM21 cited
  • 2022Turn On, Tune In, Drift Off11 cited
  • 2021Advantages of implementing mediamorphosis in supporting Using-ethnic programs at Radio Sritanjung FM Banyuwangi11 cited