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Ékpè ‘leopard’ society in Africa and the Americas: influence and values of an ancient tradition
11 references·0 citing·22 second hop
Ékpè ‘leopard’ society in Africa and the Americas: influence and values of an ancient tradition (2012)Ékpè ‘leopard’ society in Africa and the …Purchasing culture: the dissemination of associations in the Cross River region of Cameroon and Nigeria (2012)Purchasing culture: the disse…A Drum’s Trans-Atlantic Journey from Africa to the Americas and Back after the end of Slavery: Annobonese and Fernandino musical cultures. (2010)A Drum’s Trans-Atlantic Journ…Voice of the Leopard (2009)Voice of the LeopardThe Ejagham nation in the Cross River Region of Nigeria (1994)The Ejagham nation in the Cro…Leopard Society Masquerades: Symbolism and Diffusion (1985)Leopard Society Masquerades: …Reign of the Leopard: Ngbe Ritual (1984)Reign of the Leopard: Ngbe Ri…Flash of the Spirit: African and Afro-American Art and Philosophy (1983)Flash of the Spirit: African …La sociedad secreta Abakuá : narrada por viejos adeptos (1970)La sociedad secreta Abakuá : …The peoples of Southern Nigeria : a sketch of their history, ethnology and languages, with an abstract of the 1921 census (1969)The peoples of Southern Niger…Ritual y simbolos de la iniciación en la sociedad secreta Abakua (1969)Ritual y simbolos de la inici…Los bailes y el teatro de los negros en el folklore de Cuba (1952)Los bailes y el teatro de los…The Destabilization of the Traditional Yoruba Sexual System (1991)Scale: Discourse and Dimensions of Social Life (2016)Dash-peonage: the contradictions of debt bondage in the colonial plantations of Fernando Pó (2017)Masking and Money in a Nigerian Metropolis: The Economics of Performance in Calabar (2016)GLOBALISATION AS HYBRIDISATION (1994)The English Professors of Brazil: On the Diasporic Roots of the Yorùbá Nation (1999)Unfinished Migrations: Reflections on the African Diaspora and the Making of the Modern World (2000)Nobody Can Harm You, Nobody Can Charm You: Efik Nnabo Society Masquerades of Calabar, Nigeria (2016)Caribbean dance: ‘resistance’, colonial discourse, and subjugated knowledges (1991)Boricua pop: Puerto Ricans and the Latinization of American culture (2004)The ‘routes’ and ‘roots’ ofdanzón: a critique of the history of a genre (2011)A History of Afro-Hispanic Language (2005)A History of Afro-Hispanic Language: Five Centuries, Five Continents (2005)Caribbean Religious History (2016)Masculinité et relations de genre dans la société secrète abakuá (2013)Punishment and Labour Relations. Cuba between Abolition and Empire (1835-1886) (2018)In the Spirit and in the Flesh: Women, Masquerades, and the Cross River (2019)Translocal cultures: The slave trade and cultural transfer in the Cross River region1 (2007)Mixed Blessings and Sorrowful Mysteries (2013)Warrior Masking, Youth Culture, and Gender Roles: Masks and History in Aro Ikeji Festival (2019)Bongó Itá: leopard society music and language in West Africa, Western Cuba, and New York City (2011)Músicos y tambores en la etnomusicología de la transculturación: Fernando Ortiz, los tamboreros de Regla y la etnografía afrocubana (2016)
this work references cited by second hop

References

  • 1983Flash of the Spirit: African and Afro-American Art and Philosophy392 cited
  • 2009Voice of the Leopard123 cited
  • 1952Los bailes y el teatro de los negros en el folklore de Cuba83 cited
  • 1969Ritual y simbolos de la iniciación en la sociedad secreta Abakua37 cited
  • 2012Purchasing culture: the dissemination of associations in the Cross River region of Cameroon and Nigeria32 cited
  • 1969The peoples of Southern Nigeria : a sketch of their history, ethnology and languages, with an abstract of the 1921 census26 cited
  • 1970La sociedad secreta Abakuá : narrada por viejos adeptos20 cited
  • 1994The Ejagham nation in the Cross River Region of Nigeria20 cited
  • 1985Leopard Society Masquerades: Symbolism and Diffusion14 cited
  • 1984Reign of the Leopard: Ngbe Ritual13 cited
  • 2010A Drum’s Trans-Atlantic Journey from Africa to the Americas and Back after the end of Slavery: Annobonese and Fernandino musical cultures.10 cited

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