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Timekeepers – Sound Artists – Drum Machines: Studies of Notation and Performance in Contemporary Music for Solo Percussionist
15 references·1 citing·28 second hop
Timekeepers – Sound Artists – Drum Machines: Studies of Notation and Performance in Contemporary Music for Solo Percussionist (2009)Timekeepers – Sound Artists – Drum Machin…Aus dem Takt : Rhythmus in Kunst, Kultur und Natur (2005)Aus dem Takt : Rhythmus in Ku…Empirical Musicology (2004)Empirical MusicologyPercussion (2002)PercussionMusical Performance (2002)Musical PerformanceNeither : die Musik Morton Feldmans (2000)Neither : die Musik Morton Fe…Art and Agency: An Anthropological Theory (1999)Art and Agency: An Anthropolo…Art And Agency (1998)Art And AgencyMusik als existentielle Erfahrung : Schriften 1966-1995 (1996)Musik als existentielle Erfah…John Cage's theatre pieces : notations and performances (1996)John Cage's theatre pieces : …The time of music: new meanings, new temporalities, new listening strategies (1989)The time of music: new meanin…Die Musik in Geschichte und Gegenwart (1989)Die Musik in Geschichte und G…Rhythmus: Eine Begriffsbestimmung (1977)Rhythmus: Eine Begriffsbestim…Contemporary Percussion (1971)Contemporary PercussionRhythm and Tempo: A Study in Music History (1953)Rhythm and Tempo: A Study in …Rhythm and Tempo; A Study in Music History (1953)Rhythm and Tempo; A Study in …Wording New Paths: Text-Based Notation in New Solo Percussion Works by Natasha Anderson, Erik Griswold, and Vanessa Tomlinson (2017)Wording New Paths: Text-Based…Fantasy Pieces (1999)Beat-Class Modulation in Steve Reich's Music (2003)Journal of Religion & Society (2011)Production, consumption and political function of seventeenth-century opera (1984)From Maker to Composer: Improvisation and Musical Authorship in the Low Countries, 1450-1500 (1996)The Schenker Project (2007)The cultural biography of objects (1999)Human-Machine Reconfigurations: Plans and Situated Actions (2006)THE EMERGENCE OF MULTISPECIES ETHNOGRAPHY (2010)Preliminary Thoughts toward the Study of Music without Clear Beat: The Example of "Flowing Rhythm" in Jewish "Nusah" (1993)Prosodic Processes in Language and Music (2006)The distance geometry of music (2008)Henry Cowell and John Cage: Intersections and Influences, 1933–1941 (2006)John Cage in Separate Togetherness with Jazz (2012)The Gay Divorce of Music and Dance: Choreomusicality and the Early Works of Cage-Cunningham (2018)Why does country music sound white? Race and the voice of nostalgia (2007)A Visceral Politics of Sound (2013)The Cambridge Companion to Percussion (2016)After Adorno (2003)Modelling the relationships between emotional responses to, and musical content of, music therapy improvisations (2007)Pour une nouvelle musicologie comparée (2014)Music Performance Research at the Millennium (2003)The Cambridge History of Musical Performance (2012)Vocal performance in the seventeenth century (2012)Reading the Past (2003)Darmstadt as Other: British and American Responses to Musical Modernism (2004)Time‐Space Experience in Works for Solo Cello by Lachenmann, Xenakis and Ferneyhough: a Performance‐Sensitive Approach to Morphosyntactic Musical Analysis (2016)Logic of Experimentation (2018)
this work references cited by second hop

References

  • 1998Art And Agency3,693 cited
  • 1999Art and Agency: An Anthropological Theory1,932 cited
  • 1989Die Musik in Geschichte und Gegenwart500 cited
  • 1989The time of music: new meanings, new temporalities, new listening strategies412 cited
  • 2002Musical Performance135 cited
  • 2004Empirical Musicology114 cited
  • 1953Rhythm and Tempo: A Study in Music History101 cited
  • 2002Percussion90 cited
  • 1996John Cage's theatre pieces : notations and performances54 cited
  • 1996Musik als existentielle Erfahrung : Schriften 1966-199545 cited
  • 1953Rhythm and Tempo; A Study in Music History43 cited
  • 2000Neither : die Musik Morton Feldmans25 cited
  • 1971Contemporary Percussion18 cited
  • 1977Rhythmus: Eine Begriffsbestimmung12 cited
  • 2005Aus dem Takt : Rhythmus in Kunst, Kultur und Natur11 cited

Cited by

  • 2017Wording New Paths: Text-Based Notation in New Solo Percussion Works by Natasha Anderson, Erik Griswold, and Vanessa Tomlinson2 cited

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