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INSTALLATION ART A CRITICAL HISTORY
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Cited by

  • 2023Ecological Mourning: Living with Loss in the Anthropocene50 cited
  • 2013Installation Art and the Museum46 cited
  • 2020New ways of seeing, feeling, being: intimate encounters in virtual reality performance23 cited
  • 2017Appropriating the Weather22 cited
  • 2020Art Scents22 cited
  • 2020Soft Robotics and Posthuman Entities12 cited
  • 2017An art museum in the interest of publicness: a discussion of educational strategies at Tate Exchange9 cited
  • 2018Disturbance, Translation, Enculturation: Necessary Research in New Media, Technology, and the Senses9 cited
  • 2015“All It Is Is Light”: Projections and Volumes, Artistic Light, and Pipilotti Rist’s Feminist Languages and Logics of Light8 cited
  • 2025Predicting emotional responses in interactive art using Random Forests: a model grounded in enactive aesthetics5 cited
  • 2013Organising complexities: the potential of multi-screen video-installations for ethnographic practice and representation5 cited
  • 2014Living Sculptures: Performance Art in the Classroom5 cited
  • 2020Installation Art and the Question of Aesthetic Autonomy: Juliane Rebentisch and the Beholder's Share5 cited
  • 2018The Use of Internet of Things Technologies Within the Frames of the Cultural Industry: Opportunities, Restrictions, Prospects

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5 cited
  • 2016Adult Education and Radical Museology2 cited
  • 2025Ananse Ntentan and the Code of Minimalism: Scrutinizing Sculptural Thread Art Through Spider Web-Inspired Artworks1 cited