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Blah, Blah, Blah: Making Sense of Nonsense in Irish Vocal Music
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Blah, Blah, Blah: Making Sense of Nonsense in Irish Vocal Music (2014)Blah, Blah, Blah: Making Sense of Nonsens…Categorically Speaking: Towards a Theory of (Musical) Genre in Cape Breton Gaelic Culture (2008)Categorically Speaking: Towar…“Music is Language and Language is Music” (2004)“Music is Language and Langua…No nonsense: The logic and power of acoustic‐iconic mnemonic systems (2000)No nonsense: The logic and po…Traditional Gaelic bagpiping, 1745-1945 (1999)Traditional Gaelic bagpiping,…Oral mnemonics in Korean music: data, interpretation, and a musicological application (1991)Oral mnemonics in Korean musi…The Highland bagpipe and its music (1989)The Highland bagpipe and its …Scottish Folkmusic: An Historical Survey (1971)Scottish Folkmusic: An Histor…Serbo-Croatian Folk Songs. Texts and Transcriptions of Seventy-Five Folk Songs from the Milman Parry Collection and a Morphology of Serbo-Croatian Folk Melodies (1952)Serbo-Croatian Folk Songs. Te…Serbo-Croatian Folk Songs; Texts and Transcriptions of Seventy-Five Folk Songs from the Milman Parry Collection and a Morphology of Serbo-Croatian Melodies (1952)Serbo-Croatian Folk Songs; Te…Songs of the Hebrides (1918)Songs of the HebridesThe New Grove Dictionary of Music and Musicians (1981)The New Grove Dictionary of Music and Musicians. Stanley Sadie (1983)The New Grove dictionary of music and musicians (2001)Acoustic and Perceptual Comparison of Speech and Drum Sounds in the North Indian Tabla Tradition: An Empirical Study of Sound Symbolism (2003)The Voice in the Drum: Music, Language, and Emotion in Islamicate South Asia (2014)Seeing the invisible: Theorising connections between informal and formal musical knowledge (2019)Towards a theory of language in ethnic group relations (1977)Language, Ethnicity and Intergroup Relations. (1980)Language Death (1981)Colouring Cape Breton “Celtic” (2007)Interpretations of Tradition: From Gaelic Song to Celtic Pop (2010)PerformingAcadie: Marketing Pan-Acadian Identity in the Music of Vishtèn (2012)Comparing the phonetic features of English, French, German and Spanish : an interim report (1965)Comparing the Phonetic Features of English, French, German and Spanish (1967)Musical Notations of the Orient (1968)“You’ll Break Your Heart Trying to Play It Like You Sing It”: Intermodal Imagery and the Transmission of Scottish Classical Bagpiping (2010)Genre as social action (1984)Genre Analysis: English in Academic and Research Settings (1992)Performing rites: on the value of popular music (1997)The Chop: The Diffusion of an Instrumental Technique across North Atlantic Fiddling Traditions (2013)The politics of music categorization in Portugal (2013)Following the People, Refracting Hindustani Music, and Critiquing Genre-Based Research (2022)A New Approach to the Classification of Gaelic Song (2018)The Milman Parry Collection of Oral Literature (2013)From Wax Cylinder to Metal Disc: Transplanting Robert Lachmann’s “Oriental Music” Project from Berlin to Jerusalem on the Eve of World War II (2024)Around the Origins of Bagpipes: Relevant Hypotheses and Evidences (2015)Chapter 11 Modes of Theorizing in Iranian Khorasan (2009)Chapter 7 Music in Urban Space (2009)Chapter 9 Sīna ba Sīna or “From Father to Son” (2009)Bagpipes: A National Collection of a National Instrument (2011)
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References

  • 2000No nonsense: The logic and power of acoustic‐iconic mnemonic systems60 cited
  • 2008Categorically Speaking: Towards a Theory of (Musical) Genre in Cape Breton Gaelic Culture32 cited
  • 1971Scottish Folkmusic: An Historical Survey22 cited
  • 1989The Highland bagpipe and its music17 cited
  • 1952Serbo-Croatian Folk Songs. Texts and Transcriptions of Seventy-Five Folk Songs from the Milman Parry Collection and a Morphology of Serbo-Croatian Folk Melodies10 cited
  • 2004“Music is Language and Language is Music”10 cited
  • 1952Serbo-Croatian Folk Songs; Texts and Transcriptions of Seventy-Five Folk Songs from the Milman Parry Collection and a Morphology of Serbo-Croatian Melodies8 cited
  • 1999Traditional Gaelic bagpiping, 1745-19457 cited
  • 1991Oral mnemonics in Korean music: data, interpretation, and a musicological application6 cited
  • 1918Songs of the Hebrides5 cited

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