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Musical work in a university town: The shifting spaces and practices of DJs in Dunedin
16 references·1 citing·45 second hop
Musical work in a university town: The shifting spaces and practices of DJs in Dunedin (2009)Musical work in a university town: The sh…Creative Small Cities: Rethinking the Creative Economy in Place (2009)Creative Small Cities: Rethin…Small Cities (2006)Small CitiesThe post-subcultures reader (2003)The post-subcultures readerSound Tracks (2003)Sound TracksQualitative methods: touchy, feely, look-see? (2003)Qualitative methods: touchy, …CLUBS TO COMPANIES: NOTES ON THE DECLINE OF POLITICAL CULTURE IN SPEEDED UP CREATIVE WORLDS (2002)CLUBS TO COMPANIES: NOTES ON …Toward a Network Sociality (2001)Toward a Network SocialityPlacing Autobiography in Geography (2001)Placing Autobiography in Geog…The Cultural Economy of Cities (2000)The Cultural Economy of CitiesRisk and trust in the cultural industries (2000)Risk and trust in the cultura…Local music policies within a global music industry: cultural quarters in Manchester and Sheffield (2000)Local music policies within a…SUBCULTURES OR NEO‐TRIBES? RETHINKING THE RELATIONSHIP BETWEEN YOUTH, STYLE AND MUSICAL TASTE (1999)SUBCULTURES OR NEO‐TRIBES? RE…Club Cultures: Music, Media and Subcultural Capital (1997)Club Cultures: Music, Media a…Ethnography and popular music studies (1993)Ethnography and popular music…Rock Culture in Liverpool (1992)Rock Culture in LiverpoolSystems of articulation, logics of change: Communities and scenes in popular music (1991)Systems of articulation, logi…Interaction between the Cultural and Entertainment Industry and Urban Development in Xi’an: A Case Study (2023)Interaction between the Cultu…The Global City (1991)Non-places: Introduction to an anthropology of supermodernity (1996)In the Social Factory? (2008)‘A very complicated version of freedom’: Conditions and experiences of creative labour in three cultural industries (2009)Looking for work in creative industries policy (2009)Modernity and Self-Identity (2023)Situating knowledges: positionality, reflexivities and other tactics (1997)Decolonizing Methodologies: Research and Indigenous Peoples (2000)Consuming narratives: the political ecology of ‘alternative’ consumption (2004)Using ‘the body’ as an ‘instrument of research’: kimch’i and pavlova (2008)Haptic geographies: ethnography, haptic knowledges and sensuous dispositions (2009)8 Decolonizing Methodologies: Research and Indigenous Peoples (2024)Economic Action and Social Structure: The Problem of Embeddedness (1985)Postmodernism, or, The cultural logic of late capitalism (1991)The Condition of Postmodernity: An Enquiry into the Origins of Cultural Change (1991)Cultural-Products Industries and Urban Economic Development (2004)Entrepreneurial Labor among Cultural Producers: “Cool” Jobs in “Hot” Industries (2005)Tourism, Creativity and Development (2007)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)The consequences of modernity (1990)Risk Society, Towards a New Modernity (1994)Urban Regeneration: From the Arts `Feel Good' Factor to the Cultural Economy: A Case Study of Hoxton, London (2009)Rethinking the Creative City (2010)Handbook of Theory and Research for the Sociology of Education. (1987)Life on the Screen: Identity in the Age of the Internet (1997)Social networks and the study of relations: networks as method, metaphor and form (2006)Escape Routes: Control and Subversion in the Twenty-First Century (2008)Social Media Ethnography: The Digital Researcher in a Messy Web (2012)Resistance Through Rituals: Youth Subcultures in Post-War Britain (1976)Subculture: The Meaning of Style. (1981)Subculture: The Meaning of Style (1995)‘Insider Research’ in the Study of Youth Cultures (2005)Youth Subcultural Theory: A Critical Engagement with the Concept, its Origins and Politics, from the Chicago School to Postmodernism (2005)Media Populism: A Conceptual Clarification and Some Theses on its Effects (2014)Club cultures: music, media and subcultural capital (1996)INDIE: THE INSTITUTIONAL POLITICS AND AESTHETICS OF A POPULAR MUSIC GENRE (1999)Subcultures, Scenes or Tribes? None of the Above (2005)Cultural economy: a critical review (2005)The Modalities of Nostalgia (2006)Metrolingualism: fixity, fluidity and language in flux (2009)Signals in Social Supernets (2007)The commons: Infrastructures for troubling times* (2016)From Virtual Public Spheres to Global Justice: A Critical Theory of Internetworked Social Movements (2005)In Defence of Subculture: Young People, Leisure and Social Divisions (2006)The post-subcultural turn: some reflections 10 years on (2011)
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References

  • 1997Club Cultures: Music, Media and Subcultural Capital1,504 cited
  • 1999SUBCULTURES OR NEO‐TRIBES? RETHINKING THE RELATIONSHIP BETWEEN YOUTH, STYLE AND MUSICAL TASTE961 cited
  • 1991Systems of articulation, logics of change: Communities and scenes in popular music893 cited
  • 2001Toward a Network Sociality652 cited
  • 2002CLUBS TO COMPANIES: NOTES ON THE DECLINE OF POLITICAL CULTURE IN SPEEDED UP CREATIVE WORLDS640 cited
  • 2003The post-subcultures reader588 cited
  • 2000The Cultural Economy of Cities497 cited
  • 2003Sound Tracks423 cited
  • 2003Qualitative methods: touchy, feely, look-see?413 cited
  • 2000Risk and trust in the cultural industries303 cited
  • 2009Creative Small Cities: Rethinking the Creative Economy in Place236 cited
  • 1993Ethnography and popular music studies226 cited
  • 2000Local music policies within a global music industry: cultural quarters in Manchester and Sheffield192 cited
  • 1992Rock Culture in Liverpool191 cited
  • 2001Placing Autobiography in Geography173 cited
  • 2006Small Cities161 cited

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Cited by

  • 2023Interaction between the Cultural and Entertainment Industry and Urban Development in Xi’an: A Case Study6 cited